{"id":6945,"date":"2021-05-18T11:37:54","date_gmt":"2021-05-18T11:37:54","guid":{"rendered":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/?page_id=6945"},"modified":"2021-06-14T09:26:16","modified_gmt":"2021-06-14T09:26:16","slug":"publicaciones","status":"publish","type":"page","link":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/investigacion\/publicaciones\/","title":{"rendered":"Publicaciones"},"content":{"rendered":"

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Publicaciones<\/h2>\n<\/div>
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\"Glocalizaci\u00f3n<\/div> <\/div>\n
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Glocalizaci\u00f3n cultural en la era del v\u00eddeo bajo demanda. Diversidad de contenido en Netflix, HBO y Prime Video<\/a><\/h4><\/div>
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Pedro, J. (2022). \u00abGlocalizaci\u00f3n cultural en la era del v\u00eddeo bajo demanda. Diversidad de contenido en Netflix, HBO y Prime Vid...<\/div>\n
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\"Descubriendo<\/div> <\/div>\n
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Descubriendo Netflix: identidad de marca y representaciones de la diversidad<\/a><\/h4><\/div>
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Pedro, J.\u00a0 (2022).\u00a0Revista De Comunicaci\u00f3n,\u00a021(2), 179\u2013196. https:\/\/doi.org\/10.26441\/RC21.2-2022-A9 Este art\u00edculo analiza...<\/div>\n
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\"Plataformas<\/div> <\/div>\n
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Plataformas y pol\u00edtica audiovisual: Netflix en Espa\u00f1a<\/a><\/h4><\/div>
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M\u00aa Trinidad Garc\u00eda Leiva y Marina Hern\u00e1ndez Prieto (2021). Estudios sobre el Mensaje Period\u00edstico 27 (3), 855-866.\u00a0https:\/\/dx...<\/div>\n
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\"Netflix<\/div> <\/div>\n
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Netflix Originals in Spain: Challenging diversity<\/a><\/h4><\/div>
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Luis A. Albornoz y Mar\u00eda Trinidad Garc\u00eda Leiva (2021). European Journal of Communication. https:\/\/doi.org\/10.1177\/02673231211012...<\/div>\n
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\"The<\/div> <\/div>\n
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The value of sound: Datafication of the sound industries in the age of surveillance and platform capitalism<\/a><\/h4><\/div>
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El panorama digital actual se basa en el capitalismo de plataforma y en el concepto de nube en el que diferentes servicios (plataf...<\/div>\n
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\"La<\/div> <\/div>\n
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La l\u00f3gica de los sistemas autom\u00e1ticos de recomendaci\u00f3n musical en los servicios de streaming<\/a><\/h4><\/div>
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DE MARCHI, Leonardo<\/strong> <\/p>\n <\/div>\n

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DE MARCHI, Leonardo; KISCHINHEVSKY, Marcelo; FERREIRA, Gustavo; SALDANHA, Rafael M. O gosto algor\u00edtmico: A l\u00f3gica dos sistemas d...<\/div>\n
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\"Plataformas<\/div> <\/div>\n
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Plataformas audiovisuales y diversidad: mucho (y muchas) m\u00e1s que Netflix<\/a><\/h4><\/div>
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Mar\u00eda Trinidad Garc\u00eda Leiva (2020) en V.V.A.A., Actas del VII Congreso Internacional de la AE-IC. Comunicaci\u00f3n y diversidad. As...<\/div>\n
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\"Netflix<\/div> <\/div>\n
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Netflix in Spain: discussing a triumphalist discourse<\/a><\/h4><\/div>
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Asier Aranzubia (2020) en Antonios Vlassis, Mich\u00e8le Rioux y Destiny Tch\u00e9houali (dirs.), La culture \u00e0 l\u2019\u00e8re du num\u00e9rique. Pl...<\/div>\n
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\"Audiovisual<\/div> <\/div>\n
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Audiovisual Industries and Diversity. Economics and Policies in the Digital Era<\/a><\/h4><\/div>
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Luis A. Albornoz y M\u00aa Trinidad Garc\u00eda Leiva (eds.). New York: Routledge, 2019. ISBN: 9780367671143. Estudio colectivo que refle...<\/div>\n
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\"Netflix<\/div> <\/div>\n
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Netflix en tiempo de coronavirus<\/a><\/h4><\/div>
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Luis A. Albornoz (2020). Revista de Occidente, n\u00fam. 472 \u2013 septiembre 2020. Pp. 87\u2013104. ISSN: 0034-8635. Edita: Fundaci\u00f3n Jos...<\/div>\n
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\"VoD<\/div> <\/div>\n
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VoD platforms and prominence: a European regulatory approach<\/a><\/h4><\/div>
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M\u00aa Trinidad Garc\u00eda Leiva (2020). Media International Australia. DOI: 10.1177\/1329878X20967456 In a scenario of abundance...<\/div>\n
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\"VOD<\/div> <\/div>\n
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VOD service providers and regulation in the European Union: an audiovisual diversity approach<\/a><\/h4><\/div>
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M\u00aa Trinidad Garc\u00eda Leiva & Luis A. Albornoz (2020).\u00a0International Journal of Cultural Policy.\u00a0DOI:\u00a010.1080\/10286632.2020....<\/div>\n
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\"Cat\u00e1logo<\/div> <\/div>\n
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Cat\u00e1logo de publicaciones del grupo Diversidad Audiovisual<\/a><\/h4><\/div>
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Este\u00a0Cat\u00e1logo\u00a0da cuenta de\u00a0la producci\u00f3n de materiales del equipo de investigaci\u00f3n Diversidad Audiovisual, la cual abarca de...<\/div>\n
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\"Austerity<\/div> <\/div>\n
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Austerity versus Diversity: the Production of News Content in Televisi\u00f3n del Principado de Asturias<\/a><\/h4><\/div>
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Ca\u00f1edo, Azahara. Austerity versus Diversity: the Production of News Content in Televisi\u00f3n del Principado de Asturias. En: Commun...<\/div>\n
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\"Televisiones<\/div> <\/div>\n
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Televisiones auton\u00f3micas y diversidad: an\u00e1lisis de la programaci\u00f3n de Televisi\u00f3n del Principado de Asturias<\/a><\/h4><\/div>
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Ca\u00f1edo, Azahara. Televisiones auton\u00f3micas y diversidad: an\u00e1lisis de la programaci\u00f3n de Televisi\u00f3n del Principado de Asturias....<\/div>\n
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\"Plataformas<\/div> <\/div>\n
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Plataformas en l\u00ednea y diversidad audiovisual: desaf\u00edos para el mercado espa\u00f1ol<\/a><\/h4><\/div>
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Garc\u00eda Leiva, M\u00aa Trinidad.\u00a0Plataformas en l\u00ednea y diversidad audiovisual: desaf\u00edos para el mercado espa\u00f1ol.\u00a0En: CIC. Cuader...<\/div>\n
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\"Trends<\/div> <\/div>\n
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Trends in Radio Research: Diversity, Innovation and Policies<\/a><\/h4><\/div>
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J Ignacio Gallego,\u00a0Manuel Fernandez-Sande y Nieves Lim\u00f3n (cont.). Newcastle:\u00a0Cambridge Scholars Publishing, 2018. ISBN:\u00a0978152...<\/div>\n
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\"How<\/div> <\/div>\n
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How Can China Influence the Transatlantic Governance of Cultural Products in the Digital Age?<\/a><\/h4><\/div>
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Beatriz Barreriro (2018). En: The Journal of World Investment & Trade, vol. 19, issue3, pp: 444-474. ISSN:\u00a0660-7112 E-ISSN: 2...<\/div>\n
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\"Diversidad<\/div> <\/div>\n
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Diversidad e industria audiovisual. El desaf\u00edo cultural del siglo XXI<\/a><\/h4><\/div>
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Luis A. Albornoz y M\u00aa Trinidad Garc\u00eda Leiva (eds.). M\u00e9xico: Fondo de Cultura Econ\u00f3mica, 2017. ISBN:9786071647276. Estudio col...<\/div>\n
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\"El<\/div> <\/div>\n
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El audiovisual en la era digital. Pol\u00edticas y estrategias para la diversidad<\/a><\/h4><\/div>
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Luis A. Albornoz y M\u00aa Trinidad Garc\u00eda Leiva (eds.). El audiovisual en la era digital. Pol\u00edticas y estrategias para la diversida...<\/div>\n
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\"Industrias<\/div> <\/div>\n
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Industrias culturales y diversidad: viejos debates y nuevos desaf\u00edos<\/a><\/h4><\/div>
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M\u00aa Trinidad Garc\u00eda Leiva y Luis A. Albornoz (2017). En Emili Prado\u00a0(Dir.).\u00a0Diversidad e industrias culturales.\u00a0Cuaderns del C...<\/div>\n
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\"Diversidad<\/div> <\/div>\n
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Diversidad e industrias culturales<\/a><\/h4><\/div>
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Emili Prado\u00a0(Dir.).\u00a0Diversidad e industrias culturales.\u00a0Cuaderns del CAC, n\u00fam.43, vol. XX - julio 2017. ISSN (papel): 1138-976...<\/div>\n
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\"Good<\/div> <\/div>\n
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Good Practices for Cultural Diversity in the Digital Audiovisual Media Landscape<\/a><\/h4><\/div>
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Luis A. Albornoz\u00a0(2017). En:\u00a0Mich\u00e8le Rioux, Destiny Tch\u00e9houali y Felipe Verdugo (dirs.). Cultures, Soci\u00e9t\u00e9s et Num\u00e9rique. M...<\/div>\n
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\"Desaf\u00edos<\/div> <\/div>\n
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Desaf\u00edos y oportunidades para la diversidad del audiovisual en internet<\/a><\/h4><\/div>
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M\u00aa Trinidad Garc\u00eda Leiva\u00a0(2017). En: Pol\u00edtica & Sociedade: Dossi\u00ea Diversidade Cultural e Comunica\u00e7\u00e3o. V. 16, n\u00ba.35. A...<\/div>\n
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La TDT de Servicio P\u00fablico Estatal y RTVE: Balance y Futuro<\/a><\/h4><\/div>
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Enrique Bustamante y M\u00aa Trinidad Garc\u00eda Leiva\u00a0(2017). En: Eladio Guti\u00e9rrez Montes\u00a0(Coord.). Televisi\u00f3n Abierta: Situaci\u00f3n a...<\/div>\n
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\"Las<\/div> <\/div>\n
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Las culturas latinoamericanas en Espa\u00f1a y Europa: entre la invisibilidad del mercado y los vaivenes de la cooperaci\u00f3n<\/a><\/h4><\/div>
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M\u00aa Trinidad Garc\u00eda Leiva\u00a0(2017). En: Enrique Bustamante (Coord.) Informe sobre el estado de la cultura en Espa\u00f1a 2017. Igualda...<\/div>\n
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\"Cultures,<\/div> <\/div>\n
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Cultures, Soci\u00e9t\u00e9s et Num\u00e9rique<\/a><\/h4><\/div>
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Mich\u00e8le Rioux, Destiny Tch\u00e9houali y Felipe Verdugo (dirs.). Montreal:\u00a0\u00c9ditions IEIM, 2017.\u00a0ISBN: 978-2-9816895-0-4. Actas de...<\/div>\n
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\"La<\/div> <\/div>\n
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Posted on <\/span>

La radio digital: una oportunidad para la diversidad<\/a><\/h4><\/div>
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Juan Ignacio Gallego (2017). Tribuna abierta [eldiario.es 12\/02\/2017] Con el apag\u00f3n de la FM est\u00e1 en juego que se lleve\u00a0a lo...<\/div>\n
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\"Remediaci\u00f3n<\/div> <\/div>\n
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Remediaci\u00f3n y diversidad. Tendencias actuales en la industria musical global.<\/a><\/h4><\/div>
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Juan Ignacio Gallego (2017). Telos\u00a0Cuadernos de Innovaci\u00f3n y Comunicaci\u00f3n. N\u00ba 106. Idioma: Castellano. Enlace al art\u00edcu...<\/div>\n
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\"La<\/div> <\/div>\n
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La diversidad cultural en las pol\u00edticas de comunicaci\u00f3n: un estudio comparado de Espa\u00f1a y Argentina<\/a><\/h4><\/div>
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M\u00aa Trinidad Garc\u00eda Leiva y Guillermo Mastrini (2016). Chasqui, Revista Latinoamericana de Comunicaci\u00f3n. N\u00ba 133 La diversidad...<\/div>\n
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\"Comunicaci\u00f3n,<\/div> <\/div>\n
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Comunicaci\u00f3n, cultura y diversidad<\/a><\/h4><\/div>
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Ana I. Segovia (coord.) (2016) En: CIC - Cuadernos de Informaci\u00f3n y Comunicaci\u00f3n, vol. 21 (Universidad Complutense de Madrid, Es...<\/div>\n
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\"The<\/div> <\/div>\n
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The Audio-visual Technology Hub Programme and TV Diversity in Argentina<\/a><\/h4><\/div>
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Luis A. Albornoz y Azahara Ca\u00f1edo.\u00a0En: Lilian Richieri Hanania y Anne-Thida Norodom (eds.). Diversity of Cultural Expressions in...<\/div>\n
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\"Diversity<\/div> <\/div>\n
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Diversity of the Audio-visual Industry in the Digital Age: The Challenges Entailed in its Measurement<\/a><\/h4><\/div>
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Patricia Marenghi, Marina Hern\u00e1ndez Prieto y \u00c1ngel Badillo. En: Lilian Richieri Hanania y Anne-Thida Norodom (eds.). Diversity o...<\/div>\n
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\"Fondo<\/div> <\/div>\n
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Fondo Internacional para la Diversidad Cultural<\/a><\/h4><\/div>
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Luis A. Albornoz (2016). En:\u00a0Honorio M. Velasco y Jes\u00fas Prieto (eds.). La diversidad cultural. An\u00e1lisis sistem\u00e1tico e interdis...<\/div>\n
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\"Dix<\/div> <\/div>\n
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Posted on <\/span>

Dix ans apr\u00e8s l’entr\u00e9e en vigueur de la Convention sur la diversit\u00e9 culturelle: D\u00e9s\u00e9quilibres dans le march\u00e9 international des biens et services culturels<\/a><\/h4><\/div>
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Luis A. Albornoz (2016) En: Les enjeux de l'information et de la communication, n\u00ba 17\/2, pp: 11 - 23 (Universit\u00e9 Grenoble Alpes,...<\/div>\n
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\"Cultural<\/div> <\/div>\n
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Posted on <\/span>

Cultural\u00a0Diversity, a Mainstay of Knowledge Societies<\/a><\/h4><\/div>
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  Luis A. Albornoz (2016) en\u00a0Actes du VIIe colloque Panam \"Gouvernance et service public m\u00e9diatique dans les societ\u00e9s de...<\/div>\n
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\"Pol\u00edtica<\/div> <\/div>\n
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Posted on <\/span>

Pol\u00edtica audiovisual europea y diversidad cultural en la era digital<\/a><\/h4><\/div>
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M\u00aa Trinidad Garc\u00eda Leiva\u00a0(2016). Comunicaci\u00f3n y sociedad. N\u00ba 27. Se estudia la implementaci\u00f3n de la Convenci\u00f3n Unesco\u00a0de...<\/div>\n
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\"Grupo<\/div> <\/div>\n
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Posted on <\/span>

Grupo Prisa<\/a><\/h4><\/div>
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Luis A. Albornoz (2017). En: Benjamin\u00a0Birkinbine, Rodrigo G\u00f3mez y Janet Wasko (Eds.). Global Media Giants. Routledge. Global Me...<\/div>\n
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\"Caim\u00e1n<\/div> <\/div>\n
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Posted on <\/span>

Caim\u00e1n Cuadernos de Cine<\/a><\/h4><\/div>
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Asier Aranzubia Cob (2016) Caim\u00e1n Cuadernos de Cine. N\u00ba51 (102), Julio-Agosto, 2016. En este n\u00famero de la revista cinematogr\u00e1...<\/div>\n
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\"Diversity,<\/div> <\/div>\n
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Posted on <\/span>

Diversity, innovation and policies<\/a><\/h4><\/div>
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Fern\u00e1ndez Sande, M. y Gallego P\u00e9rez, J.I. (2016). \"Diversity, innovation and policies\" (editorial). En:\u00a0Radio, Sound & Soci...<\/div>\n
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\"Am\u00e9rica<\/div> <\/div>\n
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Posted on <\/span>

Am\u00e9rica Latina: cooperaci\u00f3n cultural y buenas pr\u00e1cticas en diversidad y sostenibilidad<\/a><\/h4><\/div>
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M\u00aa Trinidad Garc\u00eda Leiva\u00a0(2016). En: Enrique Bustamante (Coord.) Informe sobre el estado de la cultura en Espa\u00f1a 2016. La cult...<\/div>\n
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\"Proyecci\u00f3n<\/div> <\/div>\n
\n
Posted on <\/span>

Proyecci\u00f3n de CCTV-Espa\u00f1ol en los pa\u00edses hispanohablantes: proximidad, diversidad y visibilidad – \u4e2d\u592e\u7535\u89c6\u53f0\u897f\u73ed\u7259\u8bed\u9891\u9053\u5728\u897f\u8bed\u56fd\u5bb6\u7684\u53d1\u5c55\uff1a\u6587\u5316\u63a5\u8fd1\uff0c\u6587\u5316\u591a\u6837\u4e0e\u4f20\u64ad\u6548\u679c<\/a><\/h4><\/div>
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Peilei Ye (2016). Global Media Journal (Chinese Edition), 3(1), pp. 52-66.\u00a0DOI10.16602\/j.gmj.20160006 Este art\u00edculo examina la...<\/div>\n
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\"Diversity<\/div> <\/div>\n
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Posted on <\/span>

Diversity and the film industry. An analysis of the 2014 UIS Survey on Feature Film Statistics<\/a><\/h4><\/div>
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Luis A. Albornoz\u00a0(2016). UNESCO Institute for Statistics. DOI: http:\/\/dx.doi.org\/10.15220\/978-92-9189-190-0-en Este informe anal...<\/div>\n
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\"Evoluci\u00f3n<\/div> <\/div>\n
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Posted on <\/span>

Evoluci\u00f3n del marco regulador de la Televisi\u00f3n del Principado de Asturias: debilidades y fortalezas para la garant\u00eda de la diversidad<\/a><\/h4><\/div>
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Azahara Ca\u00f1edo (2016) en\u00a0\u201cComunicaci\u00f3n de proximidad: cada vez m\u00e1s lejos. Marcos, experiencias y regulaci\u00f3n\u201d de Amaia Ner...<\/div>\n
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\"La<\/div> <\/div>\n
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Posted on <\/span>

La convenci\u00f3n de la UNESCO sobre diversidad y las pol\u00edticas de comunicaci\u00f3n y cultura de proximidad<\/a><\/h4><\/div>
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M\u00aa Trinidad Garc\u00eda Leiva\u00a0(2016) en\u00a0\u201cComunicaci\u00f3n de proximidad: cada vez m\u00e1s lejos. Marcos, experiencias y regulaci\u00f3n\u201d...<\/div>\n
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\"Diversidade<\/div> <\/div>\n
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Posted on <\/span>

Diversidade culturale o campo audiovisual: novos desafios na era digital<\/a><\/h4><\/div>
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Luis A. Albornoz (2015) en \"Diversidade cultural: pol\u00edticas, visibilidades midi\u00e1tica e redes\" de\u00a0Giuliana Kauark, Jos\u00e9 M\u00e1rcio...<\/div>\n
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\"La<\/div> <\/div>\n
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Posted on <\/span>

La Convenci\u00f3n sobre diversidad cultural y la cooperaci\u00f3n espa\u00f1ola en materia de cultura<\/a><\/h4><\/div>
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M\u00aa Trinidad Garc\u00eda Leiva\u00a0(2015).\u00a0Investigaci\u00f3n & Desarrollo. Vol. 23, N\u00ba 2. El concepto de diversidad cultural ocupa un...<\/div>\n
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\"Cultural<\/div> <\/div>\n
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Posted on <\/span>

Cultural diversity and free trade: the case of the EU-Canada agreement<\/a><\/h4><\/div>
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M\u00aa Trinidad Garc\u00eda Leiva\u00a0(2015).\u00a0International Journal of Cultural Policy.\u00a0DOI:\u00a010.1080\/10286632.2015.1119131. Este art\u00edcu...<\/div>\n
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\"Distribuci\u00f3n<\/div> <\/div>\n
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Posted on <\/span>

Distribuci\u00f3n online de pel\u00edculas en Espa\u00f1a: \u00bfuna oportunidad para la diversidad cultural?<\/a><\/h4><\/div>
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Asier Aranzubia Cob y\u00a0Jos\u00e9 Gabriel Ferreras Rodr\u00edguez\u00a0(2015).\u00a0AdComunica.\u00a0N\u00famero 10. Pp: 61-76. En este art\u00edculo se prest...<\/div>\n
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\"Espa\u00f1a<\/div> <\/div>\n
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Posted on <\/span>

Espa\u00f1a y la Convenci\u00f3n sobre Diversidad Cultural: consecuencias de su ratificaci\u00f3n para las pol\u00edticas de comunicaci\u00f3n y cultura<\/a><\/h4><\/div>
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M\u00aa Trinidad Garc\u00eda Leiva\u00a0(2015).\u00a0Tr\u00edpodos.\u00a0N\u00famero 36. Pp: 167-183. La adopci\u00f3n de la Convenci\u00f3n sobre la protecci\u00f3n y l...<\/div>\n
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\"Cultural<\/div> <\/div>\n
\n
Posted on <\/span>

Cultural Diversity and free trade: the case of the EU-Canada agreement<\/a><\/h4><\/div>
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M\u00aa Trinidad Garc\u00eda Leiva (2015) En: International Journal of Cultural Policy, DOI:10.1080\/10286632.2015.1119131 (Taylor & Fr...<\/div>\n
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\"The<\/div> <\/div>\n
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Posted on <\/span>

The International Fund for Cultural Diversity: a new tool for cooperation in the audiovisual field<\/a><\/h4><\/div>
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Luis A. Albornoz\u00a0(2015).\u00a0International Journal of Cultural Policy.\u00a0DOI: 10.1080\/10286632.2015.1008467 En este trabajo se anali...<\/div>\n
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\"Capturar<\/div> <\/div>\n
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Posted on <\/span>

Capturar la diversidad de\/en las industrias culturales: una revisi\u00f3n del concepto y sus formas de medici\u00f3n<\/a><\/h4><\/div>
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Luis A. Albornoz y Patricia Marenghi\u00a0(2015) en\u00a0\u201cMedios de proximidad: participaci\u00f3n social y pol\u00edticas p\u00fablicas\u201d \u00a0de Man...<\/div>\n
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\"La<\/div> <\/div>\n
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Posted on <\/span>

La reflexi\u00f3n acad\u00e9mica sobre la televisi\u00f3n auton\u00f3mica en Espa\u00f1a: entre la reivindicaci\u00f3n de la diversidad y la denuncia por manipulaci\u00f3n pol\u00edtica<\/a><\/h4><\/div>
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Luis A. Albornoz y Azahara Ca\u00f1edo (2015) en\u00a0\u201cLas televisiones p\u00fablicas auton\u00f3micas del siglo XXI. Nuevos escenarios tras el...<\/div>\n
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\"Del<\/div> <\/div>\n
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Posted on <\/span>

Del home video al nuevo Nollywood: la poderosa industria audiovisual en Nigeria<\/a><\/h4><\/div>
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Alejandra Val Cubero (2015). En: Secuencias: Revista de Historia del Cine, n\u00ba 41, pp: 41 - \u00a056 (Universidad Aut\u00f3noma de Madrid,...<\/div>\n
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\"Teor\u00eda<\/div> <\/div>\n
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Teor\u00eda cr\u00edtica, izquierda y pol\u00edticas p\u00fablicas de comunicaci\u00f3n: el caso de Am\u00e9rica Latina<\/a><\/h4><\/div>
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\u00c1ngel Badillo, Guillermo Mastrini y Patricia Marenghi (2015) En: Comunicaci\u00f3n y Sociedad, n\u00ba 24, pp: 95 - 126 (Universidad de G...<\/div>\n
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\"Power,<\/div> <\/div>\n
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Posted on <\/span>

Power, Media, Culture. A critical view from the Political Economy of Communication<\/a><\/h4><\/div>
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Luis A. Albornoz (2015). Londres: Pallgrave Macmillan, 2015 ISBN: 978-1-137-54007-2 Analistas de prestigio internacional, ligados...<\/div>\n
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\"Diversidad<\/div> <\/div>\n
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Posted on <\/span>

Diversidad cultural, lengua de signos y televisi\u00f3n en Espa\u00f1a<\/a><\/h4><\/div>
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Francisco Utray y Esther Gil Sabroso (2014) En: Fonseca, Journal of Communication, n\u00ba 9, pp: 118 - 143 (Universidad de Salamanca,...<\/div>\n
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\"A<\/div> <\/div>\n
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Posted on <\/span>

A Televis\u00e3o Digital Terrestre Experi\u00eancias nacionais e diversidade na Europa, Am\u00e9rica e \u00c1sia<\/a><\/h4><\/div>
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Luis A. Albornoz y M\u00aa Trinidad Garc\u00eda Leiva (eds.).\u00a0Oporto: Media XXI, 2014 ISBN: 978-989-729-068-8 La tradicional televisi\u00f3n...<\/div>\n
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\"Ana\u0301lisis<\/div> <\/div>\n
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Ana\u0301lisis de casos de buenas pra\u0301cticas en las industrias culturales y creativas<\/a><\/h4><\/div>
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J. Ignacio Gallego\u00a0y Ana I. Segovia\u00a0(2014).\u00a0En: \u00c1ngel Badillo y Marta Fuertes (Eds.) Tendencias y buenas pr\u00e1cticas en las ind...<\/div>\n
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\"Good<\/div> <\/div>\n
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Posted on <\/span>

Good practices in audiovisual diversity. Hype or hope?<\/a><\/h4><\/div>
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M\u00aa Trinidad Garc\u00eda Leiva y Ana Segovia\u00a0(2014). Observatorio (OBS*) Journal, vol.8 - n\u00ba4. Pp. 091-103 Las investigaciones real...<\/div>\n
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\"Exhibici\u00f3n<\/div> <\/div>\n
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Exhibici\u00f3n digital y diversidad cultural. En busca de una pol\u00edtica activa<\/a><\/h4><\/div>
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Asier Aranzubia Cob. (2014) Caim\u00e1n Cuadernos de Cine. N\u00ba25, Marzo, 2014.\u00a0 Pp: 82-83. En este art\u00edculo, publicado en el n\u00fam...<\/div>\n
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\"La<\/div> <\/div>\n
\n
Posted on <\/span>

La\u00a0Convention\u00a0de\u00a02005\u00a0\u00e0\u00a0l\u2019\u00e9preuve\u00a0du\u00a0paysage\u00a0num\u00e9rique<\/a><\/h4><\/div>
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Luis A. Albornoz. (2014). Note de recherche. Culture, commerce et num\u00e9rique 14-01. Montr\u00e9al: Centre d\u2019\u00e9tudes sur l\u2019int\u00e9gra...<\/div>\n
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\"La<\/div> <\/div>\n
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Posted on <\/span>

La cooperaci\u00f3n cultural para el futuro digital: Recuperar la diversidad como eje central en tiempos de crisis<\/a><\/h4><\/div>
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M\u00aa Trinidad Garc\u00eda Leiva. (2013). Documento de Trabajo 13\/2013. Fundaci\u00f3n Alternativas. El Observatorio de Cultura y Comun...<\/div>\n
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\"C\u00f3mo<\/div> <\/div>\n
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Posted on <\/span>

C\u00f3mo hacer realidad la convenci\u00f3n 2005 sobre diversidad cultural<\/a><\/h4><\/div>
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Luis A. Albornoz. (2013). Letra Internacional. N\u00fam. 117, pp: 63-68. El autor reflexiona en el n\u00famero 117 de Letra internacion...<\/div>\n
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\"A<\/div> <\/div>\n
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Posted on <\/span>

A diez a\u00f1os de la Cumbre mundial de la Sociedad de la Informaci\u00f3n. Sociedades del conocimiento y diversidad cultural<\/a><\/h4><\/div>
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Luis A. Albornoz. (2013). Telos. N\u00fam. 96.\u00a0Tribuna de la Comunicaci\u00f3n. A finales de febrero de 2013 la Organizaci\u00f3n de las...<\/div>\n
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\"Comunica\u00e7\u00e3o<\/div> <\/div>\n
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Comunica\u00e7\u00e3o plural, diversidade cultural<\/a><\/h4><\/div>
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\u00a0Luis A. Albornoz (2013) en\u00a0\u201cPol\u00edticas p\u00fablicas e pluralidade na comunica\u00e7\u00e3o e na cultura\"\u00a0de Marcos Dantas y\u00a0Marcelo Ki...<\/div>\n
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Posted on <\/span>

El futuro del espectro radioel\u00e9ctrico: entre las pol\u00edticas de comunicaci\u00f3n y el mercado<\/a><\/h4><\/div>
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M\u00aa Trinidad Garc\u00eda Leiva (2013). En: Las pol\u00edticas de comunicaci\u00f3n en el siglo XXI. Guillermo Mastrini, Ana Bizberge y Diego d...<\/div>\n
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La televisi\u00f3n digital terrestre. Experiencias nacionales y diversidad en Europa, Am\u00e9rica y Asia<\/a><\/h4><\/div>
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Luis A. Albornoz y M\u00aa Trinidad Garc\u00eda Leiva (Editores). (2012). Buenos Aires: La Cruj\u00eda Ediciones. El volumen, en el que par...<\/div>\n
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The political economy of DTT: An international overview<\/a><\/h4><\/div>
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Luis A. Albornoz y M\u00aa Trinidad Garc\u00eda Leiva (2012) En: International Journal of Digital Television, vol. 3, n\u00ba 3, pp: 301 - 319...<\/div>\n
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\"Sintonizando<\/div> <\/div>\n
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Sintonizando el futuro: Radio y producci\u00f3n sonora en el siglo XXI<\/a><\/h4><\/div>
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J. Ignacio Gallego y M\u00aa Trinidad Garc\u00eda Leiva (coords.).Madrid: IORTV, 2012 ISBN: 978-84-88788-85-6 La radio y la producci\u00f3n s...<\/div>\n
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\"Questionamentos<\/div> <\/div>\n
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Questionamentos em torno da diversidade cultural na Ibero-Am\u00e9rica<\/a><\/h4><\/div>
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Luis A. Albornoz (2011) en\u00a0\u201cDiversidade cultural e desigualdade de trocas\u201d\u00a0 de Jos\u00e9 M\u00e1rcio Barros e Giuliana Kauark (Orgs....<\/div>\n
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\"Estado<\/div> <\/div>\n
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Posted on <\/span>

Estado y prospectiva de la cooperaci\u00f3n espa\u00f1ola con Iberoam\u00e9rica en cultura-comunicaci\u00f3n, 1997- 2007<\/a><\/h4><\/div>
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Luis A. Albornoz (Coordinador). (2009). Fundaci\u00f3n Alternativas. El Observatorio de Cultura y Comunicaci\u00f3n de la Fundaci\u00f3n...<\/div>\n
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<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/article>\n<\/div>\n\t\t\t<\/div>\n\t\t<\/div> <\/div> [\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

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