{"id":8257,"date":"2023-01-28T12:49:35","date_gmt":"2023-01-28T12:49:35","guid":{"rendered":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/?page_id=8257"},"modified":"2023-01-28T12:52:20","modified_gmt":"2023-01-28T12:52:20","slug":"post-iamcr-2019-plataformas-digitales-de-la-comunicacion-y-la-cultura","status":"publish","type":"page","link":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/seminarios\/post-iamcr-2019-plataformas-digitales-de-la-comunicacion-y-la-cultura\/","title":{"rendered":"Post IAMCR 2019 Plataformas digitales de la comunicaci\u00f3n y la cultura"},"content":{"rendered":"<p>[vc_row css=&#8221;.vc_custom_1621444931122{margin-top: 25px !important;}&#8221;][vc_column][vc_single_image image=&#8221;5597&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1621850671419{padding-top: 50px !important;padding-bottom: 50px !important;}&#8221;][vc_btn title=&#8221;PROGRAMA&#8221; style=&#8221;classic&#8221; shape=&#8221;square&#8221; color=&#8221;primary&#8221; size=&#8221;lg&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;far fa-list-alt&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:%23programa&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1621850682510{padding-top: 50px !important;padding-bottom: 50px !important;}&#8221;][vc_btn title=&#8221;ORGANIZACI\u00d3N&#8221; style=&#8221;classic&#8221; shape=&#8221;square&#8221; color=&#8221;primary&#8221; size=&#8221;lg&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;fas fa-tools&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:%23organizacion&#8221;][\/vc_column][\/vc_row][vc_row][vc_column css=&#8221;.vc_custom_1621850300390{padding-top: 50px !important;padding-bottom: 50px !important;}&#8221;][vc_column_text]En las \u00faltimas d\u00e9cadas, las tecnolog\u00edas digitales han alterado profundamente el ecosistema de la comunicaci\u00f3n y la cultura. Nuevas formas de creaci\u00f3n, producci\u00f3n, distribuci\u00f3n, promoci\u00f3n, acceso y participaci\u00f3n han transformado las industrias culturales. En este contexto, irrumpe un actor de nuevo cu\u00f1o: las plataformas en l\u00ednea de comunicaci\u00f3n y cultura. Este seminario internacional (Post-congreso IAMCR 2019) tiene como objetivo reunir el trabajo de investigadores de todo el mundo que estudian las din\u00e1micas actuales de estos actores.<\/p>\n<p>Los participantes en este evento acad\u00e9mico discutir\u00e1n las siguientes cuestiones: \u00bfC\u00f3mo operan las plataformas en l\u00ednea? \u00bfCu\u00e1les son las especificidades de la organizaci\u00f3n en plataformas en comparaci\u00f3n con otras formas de organizaci\u00f3n de las industrias de la comunicaci\u00f3n y la cultura? \u00bfContribuyen las plataformas en l\u00ednea a la diversidad de las expresiones culturales que circulan por las redes? \u00bfSon la expresi\u00f3n de un mercado internacional de la comunicaci\u00f3n y la cultura m\u00e1s concentrado? \u00bfC\u00f3mo se enfrentan a las pol\u00edticas culturales existentes (sobre todo las que regulan el \u00e1mbito de las industrias culturales), o c\u00f3mo se apoyan precisamente en estas pol\u00edticas para afianzarse?<\/p>\n<p>El profesor Joe Straubhaar (The University of Texas Austin, EEUU) abrir\u00e1 el seminario impartiendo la conferencia <strong>Netflix in Latin Am\u00e9rica: A New Cultural Imperialism, Increased Regional Generation and Class Stratification, or a New, Regional Hybrid Television?<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><b>Organizers:<\/b><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-3839 alignleft\" src=\"http:\/\/diversidadaudiovisual.org\/wp-content\/uploads\/2016\/12\/logo.png\" alt=\"\" width=\"148\" height=\"45\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-4347 alignleft\" src=\"http:\/\/diversidadaudiovisual.org\/wp-content\/uploads\/2018\/09\/512px-Logotipo_del_Ministerio_de_Ciencia_Innovaci\u00f3n_y_Universidades.png\" alt=\"\" width=\"211\" height=\"55\" \/><\/p>\n<p><a href=\"http:\/\/diversidadaudiovisual.org\/wp-content\/uploads\/2018\/11\/Acronimobueno.gif\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-4533 alignleft\" src=\"http:\/\/diversidadaudiovisual.org\/wp-content\/uploads\/2018\/11\/Acronimobueno.gif\" alt=\"\" width=\"181\" height=\"51\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-907 alignleft\" src=\"http:\/\/diversidadaudiovisual.org\/wp-content\/uploads\/2013\/05\/iamcr_home.png\" alt=\"\" width=\"124\" height=\"101\" \/><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-4430 alignleft\" src=\"http:\/\/diversidadaudiovisual.org\/wp-content\/uploads\/2018\/11\/LOGO-ICCA.gif\" alt=\"\" width=\"147\" height=\"82\" \/><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-4431 alignleft\" src=\"http:\/\/diversidadaudiovisual.org\/wp-content\/uploads\/2018\/11\/Logo_up13-web.png\" alt=\"\" width=\"202\" height=\"119\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-4580 alignleft\" src=\"http:\/\/diversidadaudiovisual.org\/wp-content\/uploads\/2018\/11\/logo-madrid.png\" alt=\"\" width=\"112\" height=\"59\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><b>Support:\u00a0<\/b><\/p>\n<p><a href=\"https:\/\/ulepicc.org\/\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-4538 alignleft\" src=\"http:\/\/diversidadaudiovisual.org\/wp-content\/uploads\/2019\/01\/logoulepicc-1.gif\" alt=\"\" width=\"118\" height=\"80\" \/><\/a>\u00a0<a href=\"http:\/\/tecmerin.es\/\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-4539 alignleft\" src=\"http:\/\/diversidadaudiovisual.org\/wp-content\/uploads\/2018\/11\/LOGO-TECMERINgrandetrans2.gif\" alt=\"\" width=\"165\" height=\"68\" \/><\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221; parallax=&#8221;content-moving&#8221; parallax_image=&#8221;5488&#8243; el_id=&#8221;programa&#8221;][vc_column css=&#8221;.vc_custom_1621848067172{padding-top: 50px !important;padding-bottom: 50px !important;}&#8221;]<div class=\"tm-element-heading-wrapper tm-heading-inner tm-element-align-center tm-seperator-after_before tm-heading-style-vertical \"><section class=\"tm-vc_cta3-container\"><div class=\"tm-vc_general tm-vc_cta3 tm-cta3-only tm-vc_cta3-style-classic tm-vc_cta3-shape-rounded tm-vc_cta3-align-center tm-vc_cta3-color-transparent tm-vc_cta3-icon-size-md tm-vc_cta3-actions-no tm-cta3-without-desc\"><div class=\"tm-vc_cta3_content-container\"><div class=\"tm-vc_cta3-content\"><header class=\"tm-vc_cta3-content-header tm-wrap\"><div class=\"tm-vc_cta3-headers tm-wrap-cell\"><h2 class=\"tm-custom-heading \" >Programa<\/h2>\n<\/div><div class=\"heading-seperator\"><span><\/span><\/div><\/header><\/div><\/div><\/div><\/section><\/div> <!-- .tm-element-heading-wrapper container --> [\/vc_column][\/vc_row][vc_row][vc_column css=&#8221;.vc_custom_1621850327175{padding-top: 50px !important;padding-right: 25px !important;padding-bottom: 50px !important;}&#8221;][vc_column_text]<\/p>\n<p style=\"text-align: center;\"><strong>Plataformas digitales de la comunicaci\u00f3n y la cultura<\/strong><\/p>\n<p style=\"text-align: center;\">Post-congreso AIECS\/IAMCR 2019<\/p>\n<p style=\"text-align: center;\">Viernes 12 de julio de 2019 \u2013 8:45 a 17:15 horas<\/p>\n<p style=\"text-align: center;\">Campus de Puerta de Toledo, Universidad Carlos III de Madrid<\/p>\n<p style=\"text-align: center;\">Aulas: 1.A.01 \/ 1.A.14<\/p>\n<p style=\"text-align: center;\"><strong>Descarga aqu\u00ed el resumen de la jornada<\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/diversidadaudiovisual.org\/wp-content\/uploads\/2020\/02\/ResumenEjecutivoSeminarioPostIAMCR.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-4949\" src=\"http:\/\/diversidadaudiovisual.org\/wp-content\/uploads\/2020\/02\/descarga.png\" alt=\"\" width=\"70\" height=\"85\" \/><\/a><\/p>\n<p>8:45-9:00 horas. <strong>Apertura.<\/strong><\/p>\n<p>Intervienen: Carmen Ciller (Directora del Departamento de Periodismo y Comunicaci\u00f3n Audiovisual, UC3M), Janet Wasco (Presidenta de IAMCR), Philippe Bouquillion (LaBEx ICCA, Universidad Par\u00eds 13) y Luis A. Albornoz (Director del Grupo de investigaci\u00f3n Diversidad Audiovisual, UC3M).<\/p>\n<p>9:00-9:45 horas. <strong>Conferencia inaugural<\/strong>.<\/p>\n<p>Joe Straubhaar (The University of Texas at Austin, EEUU)<\/p>\n<p><strong>Netflix in Latin America: A New Cultural Imperialism, Increased Regional Generation and Class Stratification, or a New Regional Hybrid Television?<\/strong><\/p>\n<p><iframe loading=\"lazy\" id=\"pumukitiframe\" src=\"https:\/\/media.uc3m.es\/iframe\/5d3174178f42081ae68b4576\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>9:45-10:15 horas. <strong>Pausa caf\u00e9.<\/strong><\/p>\n<p>10:15-12:00 horas. <strong>Panel I<\/strong>: <strong>Regulaci\u00f3n y gobernanza.<\/strong><\/p>\n<p>Modera: Javier Moreno (UC3M)<\/p>\n<p>Ponentes:<\/p>\n<p>-Cl\u00e9mence Varin y V\u00e9ronique Gu\u00e8vremont (Universit\u00e9 Labal, Quebec, Canad\u00e1): <strong>La r\u00e9glamentation des plataformes de contenus culturels dans un contexte de lib\u00e9ralisation des \u00e9changes.<\/strong><\/p>\n<p>-Bronwyn Miller (University of New South Walles, Australia): <strong>In the Wake of YouTube\u2019s \u2018Ad-pocalypse\u2019: Algorithms and Platform Governance.<\/strong><\/p>\n<p>-Merja Myllylahti (Auckland University of Thecnology, Nueva Zelanda): <strong>An exploration into platform regulation approaches in Australia and in the United Kingdom. Where are the boundaries between platforms and media? <a href=\"http:\/\/diversidadaudiovisual.org\/wp-content\/uploads\/2019\/10\/Merja-Myllylahti-IAMCR-regulating-platforms.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">(ver ppt presentaci\u00f3n)<\/a>.<\/strong><\/p>\n<p>-Dwayne Winseck (Carleton University, Canada):\u00a0<strong>The Structural and Behavioural Regulation of Digital Dominance or Why the Vampire Squids from Silicon Valley Should Not Be Treated and Regulated as Publishers or Media Companies.\u00a0\u00a0<\/strong><\/p>\n<p><iframe loading=\"lazy\" id=\"pumukitiframe\" src=\"https:\/\/media.uc3m.es\/iframe\/5d3174168f42081ae68b456d\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\n<strong>\u00a0<\/strong>10:15-12:00 horas. <strong>Panel II<\/strong>: <strong>L\u00f3gicas y tendencias<\/strong>. Aula 1.A.01<\/p>\n<p>Modera: Azahara Ca\u00f1edo (UC3M)<\/p>\n<p>Ponentes:<\/p>\n<p>-Vibodh Parthasarathi (Jamia Millia Islamia, New Delhi, India): <strong>Platformisation or Deep History of Digital Platforms.<\/strong><\/p>\n<p>-Juan Carlos Miguel de Bustos (Universidad del Pa\u00eds Vasco, Espa\u00f1a) y J\u00e9ssica Izquierdo Castillo (Universidad Jaume I de Castell\u00f3n): <strong>Los GAFAM y el control de la comunicaci\u00f3n: las nuevas reglas del juego en la econom\u00eda digital. <\/strong><\/p>\n<p>-Aphra Kerr (Maynooth University, Ireland): <strong>Cultural production, platform logics and cultural diversity: insights from the Digital Games Industry.<\/strong><\/p>\n<p><iframe loading=\"lazy\" id=\"pumukitiframe\" src=\"https:\/\/media.uc3m.es\/iframe\/5d3174178f42081ae68b4573\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u00a0<\/strong>12:00-13:45 horas. <strong>Panel III: Netflix como caso de estudio.<\/strong><\/p>\n<p>Modera: Rodrigo G\u00f3mez (Universidad Aut\u00f3noma Metropolitana, M\u00e9xico)<\/p>\n<p>Ponentes:<\/p>\n<p>-Ram\u00f3n Lobato (RMIT Universiy, Melbourne, Australia): <strong>Global Netflix: New and Old Lessons for Media Globalization Debates <span style=\"color: #3366ff;\">(<a href=\"http:\/\/diversidadaudiovisual.org\/wp-content\/uploads\/2019\/10\/Lobato_IAMCRpostconf_NFX_forupload.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">ver ppt presentaci\u00f3n<\/a>)<\/span>.<\/strong><\/p>\n<p>-Lothar Mikos (Film University Babelsberg in Potsdam, Alemania): <strong>Netflix and the Disruption of the Film and Television Industry.<\/strong><\/p>\n<p>-Luis A. Albornoz y M\u00aa Trinidad Garc\u00eda Leiva (Universidad Carlos III de Madrid, Espa\u00f1a): <strong>The economic integration of the main American SVOD platforms in the Europe: Netflix in Spain as a case study.<\/strong><\/p>\n<p>-Gonzalo Pantoja (Universit\u00e9 Par\u00eds VIII, Francia): <strong>Narcos, la visi\u00f3n de la cultura colombiana de los EEUU convertida en contenido y exportada a Francia <a href=\"http:\/\/diversidadaudiovisual.org\/wp-content\/uploads\/2019\/10\/GONZALO-PANTOJA-Netflix-Narcos-2019.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">(ver ppt presentaci\u00f3n)<\/a>.<\/strong><\/p>\n<p><iframe loading=\"lazy\" id=\"pumukitiframe\" src=\"https:\/\/media.uc3m.es\/iframe\/5d3174168f42081ae68b456a\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>12:00-13:45 horas. <strong>Panel IV: Visibilidad y algoritmos.<\/strong><\/p>\n<p>Modera: Ignacio Gallego (UC3M)<\/p>\n<p>Ponentes:<\/p>\n<p>-Guy-Philippe Wells y Mich\u00e8le Rioux (LATICCE CEIM UQAM, Canad\u00e1): <strong>Transformation in Cultural Industries: In Search for Data <a href=\"http:\/\/diversidadaudiovisual.org\/wp-content\/uploads\/2019\/10\/Guy-Philippe.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">(ver ppt presentaci\u00f3n)<\/a>.<\/strong><\/p>\n<p>-Tiziano Bonini (University of Siena, Italia) y Alessandro Gandini (King\u00b4s College, Reino Unido): <strong>\u201cFirst week is editorial, second week is algorithmical\u201d: plataformization and music curation <span style=\"color: #3366ff;\">(<a href=\"http:\/\/diversidadaudiovisual.org\/wp-content\/uploads\/2019\/10\/Bonini-Presentazione-post-conference.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">ver ppt presentaci\u00f3n<\/a>).<\/span><\/strong><\/p>\n<p>-Caroline Creton (University of Rennes 2, Francia): <strong>How to be visible? Musicians in front of targeted advertising on Facebook.<\/strong><\/p>\n<p>-Sylvie Bosser (Universit\u00e9 Paris VIII, Francia): <strong>L\u2019instauration d\u2019un editeur: Wattpad Books via l\u2019algorithme DNA story<\/strong><\/p>\n<p><iframe loading=\"lazy\" id=\"pumukitiframe\" src=\"https:\/\/media.uc3m.es\/iframe\/5d3174178f42081ae68b4570\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>13:45-15:30 horas. <strong>Pausa comida.<\/strong><\/p>\n<p>15:30-17:15 horas. <strong>Panel V: Capitalismo y trabajo.<\/strong><\/p>\n<p>Modera: Bel\u00e9n Moncl\u00fas (Universidad Aut\u00f3noma de Barcelona)<\/p>\n<p>Ponentes:<\/p>\n<p>-Philippe Bouquillion (Universit\u00e9 Paris 13, Francia): <strong>Digital platforms: a new step in the integration of culture and communication industries within capitalism?<span style=\"color: #ff0000;\">\u00a0(<a href=\"http:\/\/diversidadaudiovisual.org\/wp-content\/uploads\/2019\/10\/Bouquillon-IAMCR-Madrid-2919-Digital-Platform-India-July-12-V-envoyee.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">ver ppt presentaci\u00f3n<\/a>)<\/span><\/strong><\/p>\n<p>-Toby Miller (University of California, EEUU): <strong>Cultural Labor.<\/strong><\/p>\n<p>-Richard M. Maxwell (City university of New York, EEUU): <strong>Breaking the Bones of the Supply Chain<\/strong><\/p>\n<p>-Manuel Dupuy-Salle (Universit\u00e9 Lyon 2, Francia), Lucien Perticoz (Universit\u00e9 Jean Moulin Lyon 3, Francia) y Laurie Schmitt (GRESEC, Francia): <strong>Les plateformes num\u00e9riques de contenus culturels: vers une typologisation en \u00a8fili\u00e8re\u201d et en \u201c\u00e9cosyst\u00e8me\u201d?<\/strong><\/p>\n<p><iframe loading=\"lazy\" id=\"pumukitiframe\" src=\"https:\/\/media.uc3m.es\/iframe\/5e4d16d18f42087a6e8b45b4\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>15:30-17:15 horas. <strong>Panel VI. Usuarios y consumidores.<\/strong><\/p>\n<p>Modera: Ana I. Segovia (Universidad Complutense de Madrid)<\/p>\n<p>Ponentes:<\/p>\n<p>-H\u00e9loise Boudon (Universit\u00e9 Paris-Est Cr\u00e9teil, Francia) y Virgine Sonet (Universit\u00e9 Paris Nanterre, Francia): <strong>\u201cCe qu\u2019ils regardent, \u00e7a nous regarde tous\u201d: Les plataformes num\u00e9riques audiovisuelles aux prises avec l\u2019encadrement des publics.<\/strong><\/p>\n<p>-Andreas Schellewald (University of Edinburg, UK): <strong>What does the algorithm miss? The current state of user-generated content platforms, participatory culture and algorithmic recommendations.<\/strong><\/p>\n<p>-Hui Zhao (Communication University of China): <strong>Analysis of the popularity of short video platforms in China.<\/strong><\/p>\n<p>-Olivier Thuillas (Universit\u00e9 de Limoges, Francia) y Louis Wiart (Universit\u00e9 Libre de Bruxelles, B\u00e9lgica): <strong>L\u2019\u00e9closion des plateformes d\u00e9di\u00e9es au cinema ind\u00e9pendant sur le march\u00e9 fran\u00e7ais de la VOD <a href=\"http:\/\/diversidadaudiovisual.org\/wp-content\/uploads\/2019\/10\/ppt_Louis-Wiart-Olivier-Thuillas.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">(ver ppt presentaci\u00f3n)<\/a>.<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><u>\u00a0<\/u><\/p>\n<p><iframe loading=\"lazy\" id=\"pumukitiframe\" src=\"https:\/\/media.uc3m.es\/iframe\/5e4d16ce8f42087a6e8b4596\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221; parallax=&#8221;content-moving&#8221; parallax_image=&#8221;5488&#8243; el_id=&#8221;organizacion&#8221;][vc_column css=&#8221;.vc_custom_1621848067172{padding-top: 50px !important;padding-bottom: 50px !important;}&#8221;]<div class=\"tm-element-heading-wrapper tm-heading-inner tm-element-align-center tm-seperator-after_before tm-heading-style-vertical \"><section class=\"tm-vc_cta3-container\"><div class=\"tm-vc_general tm-vc_cta3 tm-cta3-only tm-vc_cta3-style-classic tm-vc_cta3-shape-rounded tm-vc_cta3-align-center tm-vc_cta3-color-transparent tm-vc_cta3-icon-size-md tm-vc_cta3-actions-no tm-cta3-without-desc\"><div class=\"tm-vc_cta3_content-container\"><div class=\"tm-vc_cta3-content\"><header class=\"tm-vc_cta3-content-header tm-wrap\"><div class=\"tm-vc_cta3-headers tm-wrap-cell\"><h4 class=\"tm-custom-heading \" >Comit\u00e9s<\/h4>\n<h2 class=\"tm-custom-heading \" >Organizaci\u00f3n<\/h2>\n<\/div><div class=\"heading-seperator\"><span><\/span><\/div><\/header><\/div><\/div><\/div><\/section><\/div> <!-- .tm-element-heading-wrapper container --> [\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1621850812965{padding-top: 25px !important;padding-bottom: 25px !important;}&#8221;][vc_column css=&#8221;.vc_custom_1621850246549{border-bottom-width: 50px !important;padding-top: 50px !important;}&#8221;][vc_column_text]<strong>Scientific Directors<br \/>\n<\/strong><\/p>\n<p>Dr. Luis A. Albornoz \u2013 \u2018Audiovisual Diversity\u2019 Research Group, Departament of Journalism and Audiovisual Comunication, Carlos III University of Madrid<\/p>\n<p>Dra. M\u00aa Trinidad Garc\u00eda Leiva \u2013 \u2018Audiovisual Diversity\u2019 Research Group, Departament of Journalism and Audiovisual Comunication, Carlos III University of Madrid<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Organisers:<\/strong><\/p>\n<p>Dr. Luis A. Albornoz \u2013 Carlos III University of Madrid<\/p>\n<p>Dr. Philippe Bouquillion \u2013 LabEx ICCA (Labotaroire d\u2019excellence Industries culturelles et cr\u00e9ation artistique), Paris 13 University<\/p>\n<p>Dr. Rodrigo G\u00f3mez Garc\u00eda \u2013 Chair IAMCR Political Economy Section<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Scientific Committee<\/strong>:<\/p>\n<p>Dr. Antonios Vlassis (University of Li\u00e8ge, Belgium)<\/p>\n<p>Dr. Bertrand Legendre (Paris 13 University, France)<\/p>\n<p>Dr. Dal Yong (Simon Fraser University, Canada)<\/p>\n<p>Dr. Luis A. Albornoz (Carlos III University of Madrid, Spain)<\/p>\n<p>Dra. Mar\u00eda Trinidad Garc\u00eda Leiva (Carlos III University of Madrid, Spain)<\/p>\n<p>Dra. Mich\u00e8le Rioux (Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al, Canada)<\/p>\n<p>Dr. Philippe Bouquillion (Paris 13 University, France)<\/p>\n<p>Dr. Rodrigo Garc\u00eda G\u00f3mez (Aut\u00f3noma Metropolitana University, Mexico)<\/p>\n<p>Dra. Sophie No\u00ebl (Paris 13 University, France)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Carlos III University of Madrid Organising Committee:<\/strong><\/p>\n<p>Direction: Dr. Asier Aranzubia<\/p>\n<p>Dra. Azahara Ca\u00f1edo and Dr. J. Ignacio Gallego[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row css=&#8221;.vc_custom_1621444931122{margin-top: 25px !important;}&#8221;][vc_column][vc_single_image image=&#8221;5597&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1621850671419{padding-top: 50px !important;padding-bottom: 50px !important;}&#8221;][vc_btn title=&#8221;PROGRAMA&#8221; style=&#8221;classic&#8221; shape=&#8221;square&#8221; color=&#8221;primary&#8221; size=&#8221;lg&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;far fa-list-alt&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:%23programa&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1621850682510{padding-top: 50px !important;padding-bottom: 50px !important;}&#8221;][vc_btn title=&#8221;ORGANIZACI\u00d3N&#8221; style=&#8221;classic&#8221; shape=&#8221;square&#8221; color=&#8221;primary&#8221; size=&#8221;lg&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;fas fa-tools&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:%23organizacion&#8221;][\/vc_column][\/vc_row][vc_row][vc_column css=&#8221;.vc_custom_1621850300390{padding-top: 50px !important;padding-bottom: 50px !important;}&#8221;][vc_column_text]En las \u00faltimas d\u00e9cadas, las tecnolog\u00edas digitales han alterado profundamente &hellip; <a href=\"https:\/\/diversidadaudiovisual.org\/nuevaweb\/seminarios\/post-iamcr-2019-plataformas-digitales-de-la-comunicacion-y-la-cultura\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Post IAMCR 2019 Plataformas digitales de la comunicaci\u00f3n y la cultura<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":7001,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-8257","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/pages\/8257","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/comments?post=8257"}],"version-history":[{"count":2,"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/pages\/8257\/revisions"}],"predecessor-version":[{"id":8260,"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/pages\/8257\/revisions\/8260"}],"up":[{"embeddable":true,"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/pages\/7001"}],"wp:attachment":[{"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/media?parent=8257"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}