{"id":8262,"date":"2023-01-28T13:05:30","date_gmt":"2023-01-28T13:05:30","guid":{"rendered":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/?page_id=8262"},"modified":"2023-02-15T12:38:53","modified_gmt":"2023-02-15T12:38:53","slug":"discussing-svod-services-economics-and-policy","status":"publish","type":"page","link":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/seminarios\/discussing-svod-services-economics-and-policy\/","title":{"rendered":"Discussing SVOD Services: Economics and Policy"},"content":{"rendered":"<p>[vc_row css=&#8221;.vc_custom_1621444931122{margin-top: 25px !important;}&#8221;][vc_column][vc_single_image image=&#8221;7944&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/3&#8243; css=&#8221;.vc_custom_1621850671419{padding-top: 50px !important;padding-bottom: 50px !important;}&#8221;][vc_btn title=&#8221;PROGRAMA&#8221; style=&#8221;classic&#8221; shape=&#8221;square&#8221; color=&#8221;primary&#8221; size=&#8221;lg&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;far fa-list-alt&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:%23programa&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243; css=&#8221;.vc_custom_1621850682510{padding-top: 50px !important;padding-bottom: 50px !important;}&#8221;][vc_btn title=&#8221;ORGANIZACI\u00d3N&#8221; style=&#8221;classic&#8221; shape=&#8221;square&#8221; color=&#8221;primary&#8221; size=&#8221;lg&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;fas fa-tools&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:%23organizacion&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243; css=&#8221;.vc_custom_1621850688371{padding-top: 50px !important;padding-bottom: 50px !important;}&#8221;][vc_btn title=&#8221;PONENTES&#8221; style=&#8221;classic&#8221; shape=&#8221;square&#8221; color=&#8221;primary&#8221; size=&#8221;lg&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;fas fa-user-tie&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:%23ponentes&#8221;][\/vc_column][\/vc_row][vc_row][vc_column css=&#8221;.vc_custom_1621850300390{padding-top: 50px !important;padding-bottom: 50px !important;}&#8221;][vc_column_text]Los grupos de investigaci\u00f3n\u00a0<a href=\"https:\/\/icca.univ-paris13.fr\/\">\u00abIndustries culturelles &amp; cr\u00e9ation artistique\u00bb<\/a>\u00a0y\u00a0<a href=\"http:\/\/diversidadaudiovisual.org\/\">\u00abDiversidad audiovisual\u00bb<\/a>\u00a0de la Universit\u00e9 Sorbonne Paris Nord y la Universidad Carlos III de Madrid, organizaron de forma conjunta el Seminario Internacional \u00abDiscussing SVOD Services: Economics and Policy\u00bb, que tuvo lugar en Par\u00eds los d\u00edas 22 y 23 de septiembre de 2022.<\/p>\n<p>El programa completo del seminario puede descargarse\u00a0<a href=\"http:\/\/diversidadaudiovisual.org\/wp-content\/uploads\/2022\/09\/SVoD-seminar-program.pdf\">aqu\u00ed.<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221; parallax=&#8221;content-moving&#8221; parallax_image=&#8221;5488&#8243; el_id=&#8221;programa&#8221;][vc_column css=&#8221;.vc_custom_1621848067172{padding-top: 50px !important;padding-bottom: 50px !important;}&#8221;]<div class=\"tm-element-heading-wrapper tm-heading-inner tm-element-align-center tm-seperator-after_before tm-heading-style-vertical \"><section class=\"tm-vc_cta3-container\"><div class=\"tm-vc_general tm-vc_cta3 tm-cta3-only tm-vc_cta3-style-classic tm-vc_cta3-shape-rounded tm-vc_cta3-align-center tm-vc_cta3-color-transparent tm-vc_cta3-icon-size-md tm-vc_cta3-actions-no tm-cta3-without-desc\"><div class=\"tm-vc_cta3_content-container\"><div class=\"tm-vc_cta3-content\"><header class=\"tm-vc_cta3-content-header tm-wrap\"><div class=\"tm-vc_cta3-headers tm-wrap-cell\"><h2 class=\"tm-custom-heading \" >Programa<\/h2>\n<\/div><div class=\"heading-seperator\"><span><\/span><\/div><\/header><\/div><\/div><\/div><\/section><\/div> <!-- .tm-element-heading-wrapper container --> [\/vc_column][\/vc_row][vc_row][vc_column css=&#8221;.vc_custom_1621850327175{padding-top: 50px !important;padding-right: 25px !important;padding-bottom: 50px !important;}&#8221;][vc_column_text]<\/p>\n<p style=\"text-align: center;\">Seminario internacional \/ International Seminar<\/p>\n<h2 style=\"text-align: center;\"><strong><em>Discussing SVOD Services: Economics and Policy<\/em><\/strong><\/h2>\n<p style=\"text-align: center;\">22-23\/09\/2022<\/p>\n<p style=\"text-align: center;\">Maison de la Recherche<br \/>\nRoom Claude Simon<br \/>\n4 rue des Irlandais, 75005 Paris<\/p>\n<p style=\"text-align: center;\">Universit\u00e9 Sorbonne Nouvelle<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #ff0000;\"><strong>Programa \/ Programme<\/strong><\/span><\/p>\n<h3><strong><em>Jueves \/ Thursday 22<\/em><\/strong><\/h3>\n<p><strong>9:00-9:30 hs. Welcome and presentation<\/strong><\/p>\n<p>Luis A. Albornoz, L. Creton and P. Bouquillion<\/p>\n<p><iframe loading=\"lazy\" title=\"Welcome &amp; presentation of the International Seminar &#039;Discussing SVOD Services: Economics and Policy&#039;\" width=\"847\" height=\"476\" src=\"https:\/\/www.youtube.com\/embed\/0hXYljmAvFw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p><strong>9:30-11:00 hs.\u00a0Panel 1: Socio-economic profiling of transnational SVOD service providers<\/strong><br \/>\nChair: Gemma Cam\u00e1\u00f1ez (Universidad Carlos III de Madrid, Spain)<\/p>\n<p>&#8211; <em>Philippe Bouquillion<\/em> (Universit\u00e9 Sorbonne Paris Nord, France), <em>Bruno Lef\u00e8vre<\/em> (Universit\u00e9 Sorbonne Paris Nord, France). <strong>Structures of the SVoD Market in France<\/strong><br \/>\n&#8211; <em>Laurent Creton<\/em> (Universit\u00e9 Sorbonne Nouvelle-Paris 3, France). <strong>The Cinema Industry in France facing the Transnational Streamers: Strategic Issues<\/strong><br \/>\n&#8211; <em>J. Ignacio Gallego<\/em> (Universidad Carlos III de Madrid, Spain). <strong>The different logics of the SVOD platforms: where Is the value?<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"1: Socio economic profiling of transnational SVOD service providers - International Seminar Paris 22\" width=\"847\" height=\"476\" src=\"https:\/\/www.youtube.com\/embed\/oWfuNZgndOI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p><strong>11:00-11:15 hs. Coffee break<\/strong><\/p>\n<p><strong>11:15-13:00 hs. Panel 2: Policy and regulation of SVOD services in the European Union<\/strong><br \/>\nChair: Christine Chevret-Castellani (Universit\u00e9 Sorbonne Paris Nord, France)<\/p>\n<p>&#8211; <em>Tim Raats<\/em> (SMIT VUB, Belgium). <strong>Investment obligations in the European Union and beyond: a 2022 update<\/strong><br \/>\n&#8211; <em>Ana Vinuela<\/em> (Universit\u00e9 Sorbonne Nouvelle-Paris 3, France). <strong>Can French Regulation of Global SVOD Platforms be a Model for other European Countries?<\/strong><br \/>\n&#8211; <em>Luis A. Albornoz<\/em> (Universidad Carlos III de Madrid, Spain). <strong>New obligations for video-on-demand service providers operating in Spanish territory: linguistic<\/strong><br \/>\n<strong>diversity and independent production companies<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"2: Policy and regulation of SVOD services in the European Union - International Seminar Paris 22\" width=\"847\" height=\"476\" src=\"https:\/\/www.youtube.com\/embed\/Xe_5bWvheKw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p><strong>13:00-14:00 hs. Lunch break<\/strong><\/p>\n<p><strong>14:00-16:00 hs. Next steps (INTERNAL meeting)<\/strong><\/p>\n<p><strong>16:00-18:00 hs. Panel 3 (online): Legal and market aspects of American SVOD services in Latin America<\/strong><br \/>\nChair: Gustavo G\u00f3mez (Observacom, Uruguay)<\/p>\n<p>&#8211; <em>Rodrigo G\u00f3mez Garc\u00eda<\/em> (Universidad Metropolitana de Mexico, Mexico). <strong>United States SVOD companies market performance and legal framework in Mexico<\/strong><br \/>\n&#8211; <em>Leonardo de Marchi<\/em> (Universidade Federal de Rio de Janeiro, Brazil). <strong>The dispute for the (de)regulation of VoD in Brazil: trajectory and consequences for the audiovisual<\/strong><br \/>\n<strong>industry<\/strong><br \/>\n&#8211; <em>Guillermo Mastrini<\/em> (Universidad Nacional de Quilmes, Argentina). <strong>The incipient regulation of OTT services in Argentina<\/strong><br \/>\n&#8211; <em>Ana Bizberge<\/em> (Observacom \/ CONICET-ICEP \/ Universidad Nacional de Quilmes, Argentina). <strong>Online audiovisual services in Argentina: policy debates, economics and diversity<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"3: Legal and market aspects of American SVOD in Latin America - International Seminar Paris 22\" width=\"847\" height=\"476\" src=\"https:\/\/www.youtube.com\/embed\/1GfsNr43u7w?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<h3><strong><em>Viernes \/ Friday 22<\/em><\/strong><\/h3>\n<p><strong>10:30-12:30 hs. Panel 4: Content, promotion strategies and algorithms<br \/>\n<\/strong>Chair: Tristan Mattelart (Universit\u00e9 Paris II, France)<\/p>\n<p><strong><br \/>\n<\/strong>&#8211; <em>M\u00aa. Trinidad Garc\u00eda Leiva<\/em> (Universidad Carlos III de Madrid, Spain). <strong>Spanish content in SVoD services: availability and prominence<br \/>\n<\/strong>&#8211; <em>Bego\u00f1a Herrero<\/em> (Universidad Carlos III de Madrid, Spain).<strong>Off screen diversity in the HBO Spain catalogue<br \/>\n<\/strong>&#8211; <em>Gemma Cam\u00e1\u00f1ez<\/em> (Universidad Carlos III de Madrid, Spain). <strong>Promotion in SVoD \u2013 OOH, Social networks and Media<br \/>\n<\/strong>&#8211; <em>Alix B\u00e9nistant<\/em> (Universit\u00e9 Sorbonne Paris Nord, France), Christine Chevret-Castellani (Universit\u00e9 Sorbonne Paris Nord, France) and Sarah Labelle (Universit\u00e9 de Montpellier, France). <strong>Netflix and its cultural offer in a competitive context: algorithmic recommendations, promises of &#8220;discoverability&#8221; and regulatory framework<br \/>\n<\/strong><\/p>\n<p><strong>12:30-14:30 hs. Lunch break<br \/>\n<\/strong><\/p>\n<p><strong>14:00-15:30 hs. Panel 5: Round table with professional and institutional decision-makers<br \/>\n<\/strong>Chair: Kira Kitsopanidou (Universit\u00e9 Sorbonne Nouvelle-Paris 3, France), Philippe Bouquillion (Universit\u00e9 Sorbonne Paris Nord, France)<\/p>\n<p>&#8211; <em>Tim Wescott, Omdia<\/em> (Senior Principal Analyst | Digital Content &amp; Channels, UK)<br \/>\n&#8211; <em>J\u00e9r\u00f4me Chung<\/em> (Under the milk way, Digital distribution and marketing)<br \/>\n&#8211; <em>Catherine Bernard<\/em> (France TV Distribution | Associate Executive Director, France)<strong><br \/>\n<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"5: Round table with professional and institutional decision makers - International Seminar Paris 22\" width=\"847\" height=\"476\" src=\"https:\/\/www.youtube.com\/embed\/Gw-seBFPwK8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p><strong>15:30-15:45 hs. Closure<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>El programa completo del seminario puede descargarse\u00a0<a href=\"http:\/\/diversidadaudiovisual.org\/wp-content\/uploads\/2022\/09\/SVoD-seminar-program.pdf\">aqu\u00ed.<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221; parallax=&#8221;content-moving&#8221; parallax_image=&#8221;5488&#8243; el_id=&#8221;organizacion&#8221;][vc_column css=&#8221;.vc_custom_1621848067172{padding-top: 50px !important;padding-bottom: 50px !important;}&#8221;]<div class=\"tm-element-heading-wrapper tm-heading-inner tm-element-align-center tm-seperator-after_before tm-heading-style-vertical \"><section class=\"tm-vc_cta3-container\"><div class=\"tm-vc_general tm-vc_cta3 tm-cta3-only tm-vc_cta3-style-classic tm-vc_cta3-shape-rounded tm-vc_cta3-align-center tm-vc_cta3-color-transparent tm-vc_cta3-icon-size-md tm-vc_cta3-actions-no tm-cta3-without-desc\"><div class=\"tm-vc_cta3_content-container\"><div class=\"tm-vc_cta3-content\"><header class=\"tm-vc_cta3-content-header tm-wrap\"><div class=\"tm-vc_cta3-headers tm-wrap-cell\"><h4 class=\"tm-custom-heading \" >Comit\u00e9s<\/h4>\n<h2 class=\"tm-custom-heading \" >Organizaci\u00f3n<\/h2>\n<\/div><div class=\"heading-seperator\"><span><\/span><\/div><\/header><\/div><\/div><\/div><\/section><\/div> <!-- .tm-element-heading-wrapper container --> [\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1621850812965{padding-top: 25px !important;padding-bottom: 25px !important;}&#8221;][vc_column css=&#8221;.vc_custom_1621850246549{border-bottom-width: 50px !important;padding-top: 50px !important;}&#8221;][vc_column_text]<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-5617 size-full\" src=\"http:\/\/diversidadaudiovisual.org\/wp-content\/uploads\/2022\/09\/OrganizadoresSeminarioI2022.jpg\" alt=\"\" width=\"487\" height=\"568\" \/>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221; parallax=&#8221;content-moving&#8221; parallax_image=&#8221;5487&#8243; el_id=&#8221;ponentes&#8221;][vc_column css=&#8221;.vc_custom_1621848067172{padding-top: 50px !important;padding-bottom: 50px !important;}&#8221;]<div class=\"tm-element-heading-wrapper tm-heading-inner tm-element-align-center tm-seperator-after_before tm-heading-style-vertical \"><section class=\"tm-vc_cta3-container\"><div class=\"tm-vc_general tm-vc_cta3 tm-cta3-only tm-vc_cta3-style-classic tm-vc_cta3-shape-rounded tm-vc_cta3-align-center tm-vc_cta3-color-transparent tm-vc_cta3-icon-size-md tm-vc_cta3-actions-no tm-cta3-without-desc\"><div class=\"tm-vc_cta3_content-container\"><div class=\"tm-vc_cta3-content\"><header class=\"tm-vc_cta3-content-header tm-wrap\"><div class=\"tm-vc_cta3-headers tm-wrap-cell\"><h4 class=\"tm-custom-heading \" >Investigadores \/ as<\/h4>\n<h2 class=\"tm-custom-heading \" >Ponentes<\/h2>\n<\/div><div class=\"heading-seperator\"><span><\/span><\/div><\/header><\/div><\/div><\/div><\/section><\/div> <!-- .tm-element-heading-wrapper container --> [\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1621850827039{padding-top: 25px !important;padding-bottom: 25px !important;}&#8221;][vc_column css=&#8221;.vc_custom_1621850258920{padding-top: 50px !important;}&#8221;]<div class=\"thememount-boxes thememount-boxes-team thememount-boxes-view-default thememount-boxes-col-six thememount-boxes-sortable-no thememount-boxes-textalign-center thememount-boxes-sortablebutton- thememount-boxes-spacing-5px\">\n\t\t<div class=\"thememount-boxes-inner thememount-boxes-team-inner \">\n\t\t\t\n\t\t\t<div class=\"row multi-columns-row thememount-boxes-row-wrapper\">\n\t\t\t\t<div class=\"tm-box-col-wrapper col-lg-2 col-sm-4 col-md-4 col-xs-12 diversidad-audiovisual proyectos-2012-2014 proyectos-2015-2017 proyectos-2018-2020 proyectos-2020-2024 seminario-internacional-2014 seminario-internacional-2016 seminario-internacional-2019 seminario-internacional-2022\"><article class=\"thememount-box thememount-box-team thememount-box-view-overlay thememount-team-box-view-overlay\">\n  <div class=\"thememount-post-item\"> \n\t\t<span class=\"thememount-item-thumbnail\">\n\t\t\t<span class=\"thememount-item-thumbnail-inner\">\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-content\/uploads\/2021\/03\/Foto-LUIS-ALBORNOZ_Nov2021_b-n-600x600.jpg\" class=\"attachment-thememount-img-team-member size-thememount-img-team-member wp-post-image\" alt=\"Luis A. Albornoz\" \/>\n\t\t\t<\/span>\n\t\t<\/span> <a href=\"https:\/\/diversidadaudiovisual.org\/nuevaweb\/investigadores\/luis-a-albornoz\/\">\n    <div class=\"tm_overlay_hoverbox\">\n      <div class=\"thememount-box-content\">\n        <div class=\"thememount-box-desc thememount-overlay\">\n          <div class=\"thememount-box-title\"><div class=\"thememount-box-title\"><h4><a href=\"https:\/\/diversidadaudiovisual.org\/nuevaweb\/investigadores\/luis-a-albornoz\/\">Luis A. Albornoz<\/a><\/h4><\/div><\/div>\n          <div class=\"thememount-box-footer\">Director del grupo de investigaci\u00f3n<\/div>\n        <\/div>\n        <div class=\"thememount-box-social-links\">  <\/div>\n      <\/div>\n    <\/div>\n    <\/a> <\/div>\n<\/article>\n<\/div><div class=\"tm-box-col-wrapper col-lg-2 col-sm-4 col-md-4 col-xs-12 diversidad-audiovisual proyectos-2012-2014 proyectos-2015-2017 proyectos-2018-2020 proyectos-2020-2024 seminario-internacional-2014 seminario-internacional-2016 seminario-internacional-2019 seminario-internacional-2022\"><article class=\"thememount-box thememount-box-team thememount-box-view-overlay thememount-team-box-view-overlay\">\n  <div class=\"thememount-post-item\"> \n\t\t<span class=\"thememount-item-thumbnail\">\n\t\t\t<span class=\"thememount-item-thumbnail-inner\">\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-content\/uploads\/2021\/05\/m-trinidad-garcia-leiva-600x600.jpg\" class=\"attachment-thememount-img-team-member size-thememount-img-team-member wp-post-image\" alt=\"M\u00aa Trinidad Garc\u00eda Leiva\" \/>\n\t\t\t<\/span>\n\t\t<\/span> <a href=\"https:\/\/diversidadaudiovisual.org\/nuevaweb\/investigadores\/m-trinidad-garcia-leiva\/\">\n    <div class=\"tm_overlay_hoverbox\">\n      <div class=\"thememount-box-content\">\n        <div class=\"thememount-box-desc thememount-overlay\">\n          <div class=\"thememount-box-title\"><div class=\"thememount-box-title\"><h4><a href=\"https:\/\/diversidadaudiovisual.org\/nuevaweb\/investigadores\/m-trinidad-garcia-leiva\/\">M\u00aa Trinidad Garc\u00eda Leiva<\/a><\/h4><\/div><\/div>\n          <div class=\"thememount-box-footer\">Investigadora Principal<\/div>\n        <\/div>\n        <div class=\"thememount-box-social-links\">  <\/div>\n      <\/div>\n    <\/div>\n    <\/a> <\/div>\n<\/article>\n<\/div><div class=\"tm-box-col-wrapper col-lg-2 col-sm-4 col-md-4 col-xs-12 diversidad-audiovisual proyectos-2012-2014 proyectos-2015-2017 proyectos-2018-2020 proyectos-2020-2024 seminario-internacional-2014 seminario-internacional-2016 seminario-internacional-2022\"><article class=\"thememount-box thememount-box-team thememount-box-view-overlay thememount-team-box-view-overlay\">\n  <div class=\"thememount-post-item\"> \n\t\t<span class=\"thememount-item-thumbnail\">\n\t\t\t<span class=\"thememount-item-thumbnail-inner\">\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-content\/uploads\/2021\/05\/fotonacho-b-n-600x600.jpg\" class=\"attachment-thememount-img-team-member size-thememount-img-team-member wp-post-image\" alt=\"J. Ignacio Gallego\" \/>\n\t\t\t<\/span>\n\t\t<\/span> <a href=\"https:\/\/diversidadaudiovisual.org\/nuevaweb\/investigadores\/j-ignacio-gallego\/\">\n    <div class=\"tm_overlay_hoverbox\">\n      <div class=\"thememount-box-content\">\n        <div class=\"thememount-box-desc thememount-overlay\">\n          <div class=\"thememount-box-title\"><div class=\"thememount-box-title\"><h4><a href=\"https:\/\/diversidadaudiovisual.org\/nuevaweb\/investigadores\/j-ignacio-gallego\/\">J. Ignacio Gallego<\/a><\/h4><\/div><\/div>\n          <div class=\"thememount-box-footer\"><\/div>\n        <\/div>\n        <div class=\"thememount-box-social-links\">  <\/div>\n      <\/div>\n    <\/div>\n    <\/a> <\/div>\n<\/article>\n<\/div><div class=\"tm-box-col-wrapper col-lg-2 col-sm-4 col-md-4 col-xs-12 diversidad-audiovisual proyectos-2018-2020 proyectos-2020-2024 seminario-internacional-2014 seminario-internacional-2019 seminario-internacional-2022\"><article class=\"thememount-box thememount-box-team thememount-box-view-overlay thememount-team-box-view-overlay\">\n  <div class=\"thememount-post-item\"> \n\t\t<span class=\"thememount-item-thumbnail\">\n\t\t\t<span class=\"thememount-item-thumbnail-inner\">\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"404\" height=\"404\" src=\"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-content\/uploads\/2021\/05\/fotoRGGB_N.jpg\" class=\"attachment-thememount-img-team-member size-thememount-img-team-member wp-post-image\" alt=\"Rodrigo G\u00f3mez Garc\u00eda\" \/>\n\t\t\t<\/span>\n\t\t<\/span> <a href=\"https:\/\/diversidadaudiovisual.org\/nuevaweb\/investigadores\/rodrigo-gomez-garcia\/\">\n    <div class=\"tm_overlay_hoverbox\">\n      <div class=\"thememount-box-content\">\n        <div class=\"thememount-box-desc thememount-overlay\">\n          <div class=\"thememount-box-title\"><div class=\"thememount-box-title\"><h4><a href=\"https:\/\/diversidadaudiovisual.org\/nuevaweb\/investigadores\/rodrigo-gomez-garcia\/\">Rodrigo G\u00f3mez Garc\u00eda<\/a><\/h4><\/div><\/div>\n          <div class=\"thememount-box-footer\"><\/div>\n        <\/div>\n        <div class=\"thememount-box-social-links\">  <\/div>\n      <\/div>\n    <\/div>\n    <\/a> <\/div>\n<\/article>\n<\/div><div class=\"tm-box-col-wrapper col-lg-2 col-sm-4 col-md-4 col-xs-12 diversidad-audiovisual proyectos-2020-2024 seminario-internacional-2022\"><article class=\"thememount-box thememount-box-team thememount-box-view-overlay thememount-team-box-view-overlay\">\n  <div class=\"thememount-post-item\"> \n\t\t<span class=\"thememount-item-thumbnail\">\n\t\t\t<span class=\"thememount-item-thumbnail-inner\">\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-content\/uploads\/2021\/05\/begona-herrero-1-600x600.jpg\" class=\"attachment-thememount-img-team-member size-thememount-img-team-member wp-post-image\" alt=\"Bego\u00f1a Herrero\" \/>\n\t\t\t<\/span>\n\t\t<\/span> <a href=\"https:\/\/diversidadaudiovisual.org\/nuevaweb\/investigadores\/begona-herrero\/\">\n    <div class=\"tm_overlay_hoverbox\">\n      <div class=\"thememount-box-content\">\n        <div class=\"thememount-box-desc thememount-overlay\">\n          <div class=\"thememount-box-title\"><div class=\"thememount-box-title\"><h4><a href=\"https:\/\/diversidadaudiovisual.org\/nuevaweb\/investigadores\/begona-herrero\/\">Bego\u00f1a Herrero<\/a><\/h4><\/div><\/div>\n          <div class=\"thememount-box-footer\"><\/div>\n        <\/div>\n        <div class=\"thememount-box-social-links\">  <\/div>\n      <\/div>\n    <\/div>\n    <\/a> <\/div>\n<\/article>\n<\/div><div class=\"tm-box-col-wrapper col-lg-2 col-sm-4 col-md-4 col-xs-12 diversidad-audiovisual proyectos-2018-2020 proyectos-2020-2024 seminario-internacional-2019 seminario-internacional-2022\"><article class=\"thememount-box thememount-box-team thememount-box-view-overlay thememount-team-box-view-overlay\">\n  <div class=\"thememount-post-item\"> \n\t\t<span class=\"thememount-item-thumbnail\">\n\t\t\t<span class=\"thememount-item-thumbnail-inner\">\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-content\/uploads\/2022\/11\/Foto-perfil-profissional_b-n-III-600x600.jpg\" class=\"attachment-thememount-img-team-member size-thememount-img-team-member wp-post-image\" alt=\"Leonardo de Marchi\" \/>\n\t\t\t<\/span>\n\t\t<\/span> <a href=\"https:\/\/diversidadaudiovisual.org\/nuevaweb\/investigadores\/leonardo-gabriel-de-marchi\/\">\n    <div class=\"tm_overlay_hoverbox\">\n      <div class=\"thememount-box-content\">\n        <div class=\"thememount-box-desc thememount-overlay\">\n          <div class=\"thememount-box-title\"><div class=\"thememount-box-title\"><h4><a href=\"https:\/\/diversidadaudiovisual.org\/nuevaweb\/investigadores\/leonardo-gabriel-de-marchi\/\">Leonardo Gabriel De Marchi<\/a><\/h4><\/div><\/div>\n          <div class=\"thememount-box-footer\"><\/div>\n        <\/div>\n        <div class=\"thememount-box-social-links\">  <\/div>\n      <\/div>\n    <\/div>\n    <\/a> <\/div>\n<\/article>\n<\/div>\n\t\t\t<\/div>\n\t\t<\/div><!-- .thememount-boxes-inner -->   <\/div><!-- .thememount-boxes -->  [\/vc_column][\/vc_row][vc_row][vc_column]<div class=\"tm-element-heading-wrapper tm-heading-inner tm-element-align-center tm-seperator-after_before tm-heading-style-vertical  vc_custom_1674863369135\"><section class=\"tm-vc_cta3-container\"><div class=\"tm-vc_general tm-vc_cta3 tm-cta3-only tm-vc_cta3-style-classic tm-vc_cta3-shape-rounded tm-vc_cta3-align-center tm-vc_cta3-color-transparent tm-vc_cta3-icon-size-md tm-vc_cta3-actions-no vc_custom_1674863369135 tm-cta3-without-desc\"><div class=\"tm-vc_cta3_content-container\"><div class=\"tm-vc_cta3-content\"><header class=\"tm-vc_cta3-content-header tm-wrap\"><div class=\"tm-vc_cta3-headers tm-wrap-cell\"><h2 class=\"tm-custom-heading \" >Otros \/ as investigadores \/ as ponentes<\/h2>\n<\/div><div class=\"heading-seperator\"><span><\/span><\/div><\/header><\/div><\/div><\/div><\/section><\/div> <!-- .tm-element-heading-wrapper container --> <style>.vc_custom_1674863369135{margin-top: 50px !important;}<\/style>[vc_column_text]<\/p>\n<div class=\"inciso2\">\n<p><strong>Alix B\u00e9nistant <\/strong>is an associate professor in Information and Communication Sciences at Universit\u00e9 Sorbonne Paris Nord. He is also member of the Information and Communication Sciences Laboratory (UR 1803, LabSIC). His research interests focus on the processes of industrialization and transnationalization of culture, and the digital issues related to them. These questions are addressed in an approach that articulates the political economy of communication and the socioeconomics of cultural industries. His latest work deals with the theme of \u00abculture and recommendation algorithms\u00bb, where he studies the issues of \u00abdiscoverability\u00bb in watching practices on the Netflix platform. He is also working on the financing and financialization processes within the music industry, based on fieldwork on emerging platforms.<\/p>\n<p>B\u00e9nistant, A., Chevret-Castellani C., Labelle S., (2022, to be published), \u00ab Quand les abonn\u00e9\u00b7e\u00b7s travaillent leur profil. Netflix, algorithmes et promesses de d\u00e9couvrabilit\u00e9 \u00bb, in Brin, Colette et V\u00e9ronique Gu\u00e8vremont, IA, Culture et M\u00e9dias, Presses de l\u2019Universit\u00e9 de Laval\/UNESCO.<\/p>\n<p>B\u00e9nistant, A. (2022, to be published), \u00ab Industrias culturales en la era digital. El caso de la m\u00fasica latina de Miami \u00bb, in Mercado A., Industrias culturales y digitalizaci\u00f3n en Am\u00e9rica del<br \/>\nNorte, CISAN, M\u00e9xico.<\/p>\n<p>B\u00e9nistant, A., Carcaly, H. (2023, under evaluation), \u00ab Les enjeux de financement et de financiarisation au sein de la fili\u00e8re musicale : valeur et valorisation de la musique \u00e0 l\u2019\u00e8re des plateformes \u00bb, in Gl\u00e9varec, H., Nowak, R., \u00ab La valeur de la musique \u00e0 l\u2019\u00e8re des plateformes de streaming \u00bb, Volume ! La revue des musiques populaires.<\/p>\n<\/div>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<div class=\"inciso2\"><strong>Ana Bizberge <\/strong>is an Argentine scholar and post-doctoral fellow in Argentina at Consejo Nacional de Investigaciones Cient\u00edficas y T\u00e9cnicas (CONICET) [National Council for Scientific and Technical Research]. She is a member of Centro de Estudios en Industrias Culturales [Cultural Industries Center] at Universidad de Quilmes and teaches media policy and economics at Universidad de San Martin and Universidad de Buenos Aires. She also serves as research associate in OBSERVACOM, which is an independent think tank specialized in media and internet policy and regulation in Latin America. Currently, Ana is a visiting scholar at the School of Journalism and Communication, Carleton University.<\/div>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<div class=\"inciso2\"><strong>Ana Vinuela <\/strong>is Senior Lecturer in Film and Media Studies at Sorbonne Nouvelle University and member of the IRCAV (Cinema and Audiovisual Studies Research Institute). She currently serves as Vice-President for International Affairs at Sorbonne Nouvelle. Her research focuses on international co-production and circulation of independent films, and on the challenges of public policies in the film and media industries. She has previously worked at the National Audiovisual Institute as Head of the graduate school INA Sup, and has managed an investment fund for the European audiovisual industry and training initiatives funded by the MEDIA Programme of the European Union.<\/div>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<div class=\"inciso2\"><strong>Bruno Lef\u00e8vre <\/strong>is a post-doctoral researcher at the Laboratory of Excellence \u00ab Cultural Industries and Artistic Creation \u00bb \u2013 ICCA \u2013 and at the Laboratory of Information and Communication Science \u2013 LabSIC- Universit\u00e9 Sorbonne Nouvelle. His research topics are the territorialization and the territoriality of the Creative and Digital industries, and the domination of a \u00ab creative paradigm \u00bb in the local public decision making process.<br \/>\nRecent Publications \/ Communications :<br \/>\n\u2013 Lef\u00e8vre, B. (2022), \u00abEconomic concentration in the French Media and Communication markets \u00bb, Summer 2022 Conference, Global Media and Internet Concentration \u2013 GMIC, Carleton University, Ottawa \u2013 Ca ;<br \/>\n\u2013 Lef\u00e8vre, B., Wiart, L, (2022), \u00ab Mobilisation de la soci\u00e9t\u00e9 civile contre la localisation d\u2019industries de l\u2019\u00e9conomie cr\u00e9ative : les conflits pour la re-politisation des territoires \u00bb, in L\u2019Espace Politique, Varia 43 2021-01 ;<br \/>\n\u2013 Lef\u00e8vre, B. (2021), \u00ab Creative economy on local territories and democratic governance \u00bb, European Consortium for Political Research \u2013 ECPR \u2013 General Conference, on-line, Section The Geography of new economics ;<br \/>\n\u2013 Lef\u00e8vre, B. (2019), \u00ab Industries culturelles et \u00e9conomie cr\u00e9ative. Quels mod\u00e8les pour la territorialit\u00e9 de la cr\u00e9ation? \u00bb, in Revue internationale Communication, vol. 36\/1 | Avril 2019, De quoi la cr\u00e9ativit\u00e9 est-elle le nom?, U. Laval \u2013 Ca<\/div>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<div class=\"inciso2\">\n<p><strong>Christine Chevret-Castellani <\/strong>is an associate professor in Information and Communication Sciences at Universit\u00e9 Sorbonne Paris Nord. She is also member and assistant director of the Information and Communication Sciences Laboratory (UR 1803, LabSIC). Since joining LabSIC, her research has led her to focus on the regulation of tech in France and Europe (discourses of public authorities). In collaboration with Sarah Labelle, since 2018, and also with Alix B\u00e9nistant, since 2020, this work has led to publications (2018-2022) on the regulation of algorithms and artificial intelligence and on Netflix\u2019s algorithms, as part of a project supported by the Labex Cultural Industries and Artistic Creation (ICCA).<\/p>\n<p>B\u00e9nistant, A., Chevret-Castellani C., Labelle S., (2022, to be published), \u00ab Quand les abonn\u00e9\u00b7e\u00b7s travaillent leur profil. Netflix, algorithmes et promesses de d\u00e9couvrabilit\u00e9 \u00bb, in Brin, Colette et V\u00e9ronique Gu\u00e8vremont, IA, Culture et M\u00e9dias, Presses de l\u2019Universit\u00e9 de Laval\/UNESCO.<\/p>\n<p>Chevret-Castellani C., Labelle S., (2021), \u00ab Vers un \u00ab mod\u00e8le fran\u00e7ais \u00bb de r\u00e9gulation de l\u2019intelligence artificielle fond\u00e9 sur l\u2019innovation sociale ? \u00bb, Communication, technologies et d\u00e9veloppement, n\u00b010, https:\/\/journals.openedition.org\/ctd\/6195<\/p>\n<p>Chevret-Castellani C., Labelle S., (2020), \u00ab R\u00e9guler les algorithmes et l\u2019intelligence artificielle par le droit souple, entre expression et neutralisation des points de vue \u00bb, Science et sens de l\u2019intelligence artificielle, sous la direction de Guilhem Julia, \u00c9d. Dalloz, pp. 61-72.<\/p>\n<p>Chevret-Castellani C., Labelle S., (2019), \u00ab Transparence et loyaut\u00e9 : des motifs au service de la souplesse du droit et de la cr\u00e9ativit\u00e9 \u00bb, Revue Terminal, n\u00b0124, https:\/\/journals.openedition.org\/terminal\/4064<\/p>\n<\/div>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<div class=\"inciso2\"><strong>Gemma Cam\u00e1\u00f1ez <\/strong>After finishing her degree in Information Sciences (Audio-visual Communication) at Complutense University of Madrid, she worked for several years in the Spanish, European and Latin American audio-visual industry. In 2004, she joined the Department of Journalism and Audio-visual Communication team at Carlos III University of Madrid (uc3m), since 2009 she\u00a0 has been working as an Associate Lecturer. She is a member of research teams (national projects, complementary actions, integrated actions and Articles 83). Since 2010 she has been combining her professional career in different fields, consultancy, production, and communication in audio-visual groups, with teaching and research at uc3m. Currently, she is working at Mediaset Espa\u00f1a group (in the area of communication and external relations). In 2019 she became part of the research project \u2018Diversidad y servicios audiovisuals bajo demanda por suscripci\u00f3n\u2019 (2019-2023).<\/div>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<div class=\"inciso2\"><strong>Guillermo Mastrini <\/strong>is a full professor in political economy of communication and public communication policies. Professor at the Communication School, National University of Quilmes (UNQ) and University of Buenos Aires (UBA), and research fellow at the National Scientific Research Council (CONICET). Co-director of the Research Program at the National University of Quilmes (2019-2023). Former Dean of the Master Program in Cultural Industries at UNQ, and of Communications Studies Department at UBA. Former President of the Argentine Federation of Social Communication Schools. Main publications: \u201cLa concentraci\u00f3n infocomunicacional en Am\u00e9rica Latina\u201d, (2018) in collaboration with Mart\u00edn Becerra (about Communications Concentration in Latin America); \u201cLas pol\u00edticas de comunicaci\u00f3n del Siglo XXI \u201c(2013) in collaboration with Ana Bizberge and Diego de Charras (about media policies in the 21st Century); \u201cPeriodistas y magnates. Estructura y concentraci\u00f3n de las industrias culturales en Am\u00e9rica Latina\u201d (2006) in collaboration with Mart\u00edn Becerra (about media concentration), and Mucho ruido, pocas leyes. Econom\u00eda y pol\u00edtica en la comunicaci\u00f3n en la Argentina (1920- 2004) (2005) (about media policies in Argentina), among others.<\/div>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<div class=\"inciso2\"><strong>Laurent Creton <\/strong>is Professor at the University Sorbonne Nouvelle and member of the Institut de recherche sur le cin\u00e9ma et l\u2019audiovisuel (IRCAV) and the LabEx ICCA. Specializing in the economy of cinema, the audiovisual, and new medias, his research focuses on movie theaters, the markets of cinema, business strategies, relations with the communication industries. He has published numerous articles and fifteen books devoted to these issues, including \u00c9conomie du cin\u00e9ma. Perspectives strat\u00e9giques, Armand Colin 2020; Cin\u00e9ma et march\u00e9, Armand Colin, 1997; Cin\u00e9ma et strat\u00e9gies: \u00e9conomie des interd\u00e9pendances (ed.), Th\u00e9or\u00e8me, PSN, 2008.<\/div>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<div class=\"inciso2\"><strong>Philippe Bouquillion <\/strong>is professor of communication in university Sorbonne Paris Nord and a researcher at the Laboratory of Excellence \u00ab Cultural Industries and Artistic Creation \u00bb and at the Laboratory of Information and Communication Sciences. His work focuses on the socio-economics of cultural, creative and digital industries, especially on the issues of concentration and financialisation, transnationalization as well as the transformations of public policies. His most recent research deals with audiovisual digital platforms in India and Europe. He has managed several international research contracts, including contracts commissioned by the French Ministry of Culture and Communication and the National Research Agency.<br \/>\nExamples of recent publications:<br \/>\n-(2021) Vivendi. A Global Media Giant, Routeledge.<br \/>\n\u2013 In co-writing with Ithurbide Christine, (2021) \u00abLa globalisation culturelle et les nouveaux enjeux d\u2019h\u00e9g\u00e9monie \u00e0 l\u2019heure des plateformes. Le cas indien\u00bb.R\u00e9seaux, 2021\/2-3 (N\u00b0 226-227) : 71-98.<br \/>\n-(2020) \u00abIndustrial and Financial Structures of OTTs in India\u00bb, in Athique Adrian &amp; Parthasarathi Vibodh (editors), Platform Capitalism in India, Palgrave, IAMCR Series: 101-113.<\/div>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<div class=\"inciso2\"><strong>Sarah Labelle <\/strong>is a full professor in Information and Communication Sciences at Universit\u00e9 Paul Val\u00e9ry Montpellier 3. She is also member of the studies and applied research in social sciences laboratory (LERASS, UR 827). Her research interests focus on data public policy. She conducted enquiries by attending and being involved in the activities and groups observed, in an anthropologist perspective. Her works try to understand the role of apparatus and data infrastructures, in knowledge ideas and culture circulation. She puts a peculiar attention to publics and the way organisations define them.<\/div>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<div class=\"inciso2\"><strong>Tim Raats <\/strong>is Associate Professor at the Communication Sciences department of the Vrije Universiteit Brussel (VUB) where he teaches courses on media policy and economics, and coordinates the Medialab of the department. He obtained a PhD in Media and Communication Studies in 2014 on the role and position of public service broadcasting in a networked media environment. Tim is head of the Media Economics and Policy Research unit at imec-SMIT-VUB (Studies on Media, Innovation and Technology), a group of 15 senior and junior researchers studying policy and economic aspects of media markets. He specializes in policy and market research on production and distribution of audiovisual content in small media markets, EU media policy and public service media policy. Tim coordinated several research projects for the Minister of Media, the Flemish Department of Culture, Youth and Media, the Sector Council for Media in Flanders and the public broadcaster VRT. He acted as a senior consultant in research projects. He is currently also chair holder of the research chair \u201cPublic Media in a society in transition\u201d (VUB-UGENT-VRT). Tim published widely in edited volumes and peer-reviewed journals. Since 2018, he is appointed member of the Board of Governors of the Flanders Audiovisual Fund. He currently supervises 5 PhD\u2019s.<\/div>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row css=&#8221;.vc_custom_1621444931122{margin-top: 25px !important;}&#8221;][vc_column][vc_single_image image=&#8221;7944&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/3&#8243; css=&#8221;.vc_custom_1621850671419{padding-top: 50px !important;padding-bottom: 50px !important;}&#8221;][vc_btn title=&#8221;PROGRAMA&#8221; style=&#8221;classic&#8221; shape=&#8221;square&#8221; color=&#8221;primary&#8221; size=&#8221;lg&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;far fa-list-alt&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:%23programa&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243; css=&#8221;.vc_custom_1621850682510{padding-top: 50px !important;padding-bottom: 50px !important;}&#8221;][vc_btn title=&#8221;ORGANIZACI\u00d3N&#8221; style=&#8221;classic&#8221; shape=&#8221;square&#8221; color=&#8221;primary&#8221; size=&#8221;lg&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;fas fa-tools&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:%23organizacion&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243; css=&#8221;.vc_custom_1621850688371{padding-top: 50px !important;padding-bottom: 50px !important;}&#8221;][vc_btn title=&#8221;PONENTES&#8221; style=&#8221;classic&#8221; shape=&#8221;square&#8221; color=&#8221;primary&#8221; size=&#8221;lg&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;fas fa-user-tie&#8221; &hellip; <a href=\"https:\/\/diversidadaudiovisual.org\/nuevaweb\/investigadores\/leonardo-gabriel-de-marchi\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Leonardo Gabriel De Marchi<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":7001,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-8262","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/pages\/8262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/comments?post=8262"}],"version-history":[{"count":4,"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/pages\/8262\/revisions"}],"predecessor-version":[{"id":8831,"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/pages\/8262\/revisions\/8831"}],"up":[{"embeddable":true,"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/pages\/7001"}],"wp:attachment":[{"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/media?parent=8262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}