{"id":214,"date":"2006-03-27T08:29:57","date_gmt":"2006-03-27T08:29:57","guid":{"rendered":"http:\/\/diversidadaudiovisual.org\/?p=214"},"modified":"2021-05-06T09:37:27","modified_gmt":"2021-05-06T09:37:27","slug":"deconstructing-the-diversity-principle","status":"publish","type":"post","link":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/deconstructing-the-diversity-principle\/","title":{"rendered":"Deconstructing the Diversity Principle"},"content":{"rendered":"<p><strong>Deconstructing the Diversity Principle. Philip M. Napoli (1999). Journal of Communication, Vol. 49 (4), pp. 7-34.<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>Este art\u00edculo presenta un examen del principio de diversidad en las pol\u00edticas de comunicaci\u00f3n. Dado el reciente \u00e9nfasis de la FCC sobre la diversidad como un objetivo de su pol\u00edtica, la evaluaci\u00f3n de \u00e9sta debe volver a la primera l\u00ednea del an\u00e1lisis de las pol\u00edticas de comunicaci\u00f3n. Para proveer un marco anal\u00edtico para tal investigaci\u00f3n, el principio de diversidad se descompone en tres elementos distintivos (fuente, contenido y exposici\u00f3n) y m\u00faltiples subelementos.<\/p>\n<blockquote><p><strong>Idioma<\/strong>: Ingl\u00e9s<\/p>\n<p>Acceso\u00a0<a href=\"http:\/\/onlinelibrary.wiley.com\/doi\/10.1111\/j.1460-2466.1999.tb02815.x\/abstract\" target=\"_blank\" rel=\"noopener\">aqu\u00ed\u00a0<\/a><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Deconstructing the Diversity Principle. Philip M. Napoli (1999). Journal of Communication, Vol. 49 (4), pp. 7-34. \u00a0 Este art\u00edculo presenta un examen del principio de diversidad en las pol\u00edticas de comunicaci\u00f3n. Dado el reciente \u00e9nfasis de la FCC sobre la diversidad como un objetivo de su pol\u00edtica, la evaluaci\u00f3n de \u00e9sta debe volver a la &hellip; <a href=\"https:\/\/diversidadaudiovisual.org\/nuevaweb\/deconstructing-the-diversity-principle\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Deconstructing the Diversity Principle<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":6491,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"image","meta":{"footnotes":""},"categories":[75,68],"tags":[],"class_list":["post-214","post","type-post","status-publish","format-image","has-post-thumbnail","hentry","category-bibliografia","category-recursos","post_format-post-format-image"],"_links":{"self":[{"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/posts\/214","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/comments?post=214"}],"version-history":[{"count":2,"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/posts\/214\/revisions"}],"predecessor-version":[{"id":6492,"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/posts\/214\/revisions\/6492"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/media\/6491"}],"wp:attachment":[{"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/media?parent=214"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/categories?post=214"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/tags?post=214"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}