{"id":5275,"date":"2021-02-10T13:11:03","date_gmt":"2021-02-10T13:11:03","guid":{"rendered":"http:\/\/diversidadaudiovisual.org\/?p=5275"},"modified":"2021-05-28T10:32:01","modified_gmt":"2021-05-28T10:32:01","slug":"the-visibility-of-audiovisual-works-on-tvod-2020-edition-european-audiovisual-observatory","status":"publish","type":"post","link":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/the-visibility-of-audiovisual-works-on-tvod-2020-edition-european-audiovisual-observatory\/","title":{"rendered":"The visibility of audiovisual works on TVOD- 2020 edition.  European Audiovisual Observatory"},"content":{"rendered":"\r\n<p>El Observatorio Audiovisual Europeo ha analizado la promoci\u00f3n de pel\u00edculas y contenidos televisivos por parte de 52 servicios de TVOD en 7 pa\u00edses europeos: B\u00e9lgica, Alemania, Espa\u00f1a, Francia, Italia, Pa\u00edses Bajos y Reino Unido. El informe examina el origen de los contenidos promocionados, la intensidad y la concentraci\u00f3n de la promoci\u00f3n, la cuota relativa de pel\u00edculas y contenidos televisivos.<\/p>\r\n\r\n\r\n\r\n<p>Descargar <a href=\"http:\/\/diversidadaudiovisual.org\/wp-content\/uploads\/2021\/02\/OAE_AUDIOVISUALTVOD_2020.pdf\">aqu\u00ed<\/a><\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>El Observatorio Audiovisual Europeo ha analizado la promoci\u00f3n de pel\u00edculas y contenidos televisivos por parte de 52 servicios de TVOD en 7 pa\u00edses europeos: B\u00e9lgica, Alemania, Espa\u00f1a, Francia, Italia, Pa\u00edses Bajos y Reino Unido. El informe examina el origen de los contenidos promocionados, la intensidad y la concentraci\u00f3n de la promoci\u00f3n, la cuota relativa de &hellip; <a href=\"https:\/\/diversidadaudiovisual.org\/nuevaweb\/the-visibility-of-audiovisual-works-on-tvod-2020-edition-european-audiovisual-observatory\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">The visibility of audiovisual works on TVOD- 2020 edition.  European Audiovisual Observatory<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":7564,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"image","meta":{"footnotes":""},"categories":[74,68],"tags":[],"class_list":["post-5275","post","type-post","status-publish","format-image","has-post-thumbnail","hentry","category-documentos","category-recursos","post_format-post-format-image"],"_links":{"self":[{"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/posts\/5275","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/comments?post=5275"}],"version-history":[{"count":1,"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/posts\/5275\/revisions"}],"predecessor-version":[{"id":7565,"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/posts\/5275\/revisions\/7565"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/media\/7564"}],"wp:attachment":[{"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/media?parent=5275"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/categories?post=5275"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/tags?post=5275"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}