{"id":8303,"date":"2023-01-30T16:43:50","date_gmt":"2023-01-30T16:43:50","guid":{"rendered":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/?p=8303"},"modified":"2023-02-14T19:34:30","modified_gmt":"2023-02-14T19:34:30","slug":"glocalizacion-cultural-en-la-era-del-video-bajo-demanda-diversidad-de-contenido-en-netflix-hbo-y-prime-video","status":"publish","type":"post","link":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/glocalizacion-cultural-en-la-era-del-video-bajo-demanda-diversidad-de-contenido-en-netflix-hbo-y-prime-video\/","title":{"rendered":"Glocalizaci\u00f3n cultural en la era del v\u00eddeo bajo demanda. Diversidad de contenido en Netflix, HBO y Prime Video"},"content":{"rendered":"<p><strong>Pedro, J. (2022). \u00abGlocalizaci\u00f3n cultural en la era del v\u00eddeo bajo demanda. Diversidad de contenido en Netflix, HBO y Prime Video\u00bb, <i>Visual Review. International Visual Culture Review \/ Revista Internacional De Cultura Visual<\/i>, vol. 9, 1\u201313. <a href=\"https:\/\/doi.org\/10.37467\/revvisual.v9.3699\">https:\/\/doi.org\/10.37467\/revvisual.v9.3699<\/a>.<\/strong><\/p>\n<p>A partir del concepto de glocalizaci\u00f3n y la pr\u00e1ctica de la cartograf\u00eda, este art\u00edculo explora la diversidad de contenido ofrecida por tres servicios de v\u00eddeo bajo demanda por suscripci\u00f3n transnacionales: Netflix, HBO y Prime Video. Se proponen y aplican tres categor\u00edas\u00a0 vinculadas\u00a0 a\u00a0 distintas\u00a0 dimensiones\u00a0 de\u00a0 la\u00a0 diversidad\u00a0 cultural:\u00a0 la\u00a0 diversidad\u00a0 de\u00a0 lugar;\u00a0 la\u00a0 diversidad\u00a0 de\u00a0 g\u00e9nero;\u00a0 y\u00a0 la\u00a0 diversidad\u00a0 \u00e9tnico-racial.\u00a0 De\u00a0 ese\u00a0 modo,\u00a0 se\u00a0 identifican\u00a0 y\u00a0 clasifican\u00a0 m\u00faltiples\u00a0 obras\u00a0 que\u00a0 representan\u00a0 y\u00a0 simbolizan\u00a0 la\u00a0 presencia\u00a0 y\u00a0 representaci\u00f3n\u00a0 de\u00a0 di\u00e1logos\u00a0 entre\u00a0 lo\u00a0 global\u00a0 y\u00a0 lo\u00a0 local,\u00a0 as\u00ed\u00a0 como\u00a0 de\u00a0 identidades diversas en t\u00e9rminos de origen, g\u00e9nero y\/o etnicidad o \u201craza\u201d.<\/p>\n<p>Al texto completo se puede acceder <a href=\"http:\/\/diversidadaudiovisual.org\/wp-content\/uploads\/2022\/11\/VISUAL-M10-A1528129.pdf\">aqu\u00ed<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pedro, J. (2022). \u00abGlocalizaci\u00f3n cultural en la era del v\u00eddeo bajo demanda. Diversidad de contenido en Netflix, HBO y Prime Video\u00bb, Visual Review. International Visual Culture Review \/ Revista Internacional De Cultura Visual, vol. 9, 1\u201313. https:\/\/doi.org\/10.37467\/revvisual.v9.3699. A partir del concepto de glocalizaci\u00f3n y la pr\u00e1ctica de la cartograf\u00eda, este art\u00edculo explora la diversidad de &hellip; <a href=\"https:\/\/diversidadaudiovisual.org\/nuevaweb\/glocalizacion-cultural-en-la-era-del-video-bajo-demanda-diversidad-de-contenido-en-netflix-hbo-y-prime-video\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Glocalizaci\u00f3n cultural en la era del v\u00eddeo bajo demanda. Diversidad de contenido en Netflix, HBO y Prime Video<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":8688,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[61],"tags":[250],"class_list":["post-8303","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-publicaciones","tag-publicaciones"],"_links":{"self":[{"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/posts\/8303","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/comments?post=8303"}],"version-history":[{"count":2,"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/posts\/8303\/revisions"}],"predecessor-version":[{"id":8766,"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/posts\/8303\/revisions\/8766"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/media\/8688"}],"wp:attachment":[{"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/media?parent=8303"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/categories?post=8303"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/diversidadaudiovisual.org\/nuevaweb\/wp-json\/wp\/v2\/tags?post=8303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}